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Our first impressions of the new Orange Goblin album

You learn to be a little cynical when a band tell you that their new album is the best they've ever done. Blather, blather, blather... if a band didn't believe that the new record was the finest of their career you'd wonder why they were releasing it. So when huge Goblin frontman Ben Ward says, “We're so proud of this album”, between large gulps of beer, you tend to shrug it off. The proof will be in the music.

And here it comes… almost! There are several false starts as a battery of technicians (well, one harassed bar owner) contemplate the machinations of the start-of-the-art sound system – or, to be more accurate, a juke box that seemingly refuses to play the requisite CD. But finally, we’re off and into Sabbath Hex, the opening track of new album Back From The Abyss and it’s… tremendous. No sign here of the Goblin sinking slowly into the mire of middle-aged musical mediocrity. They’ve cranked on the volume, gritted up the rhythms, soaked the riffs in acid and given Ward’s vocals an extra twist of sneer. This is pure metal – with all the faders in the studio superglued to maximum madness.

What Goblin have come up with is an album that treads a fine line between being a tribute to Motörhead and standing tall in its own right. Thankfully, it’s the right side of the line. In fact it’s the type of album Lemmy & Co. wanted to make on Iron Fist but just didn’t bring off. Add in touches of Sabbath, very early Maiden and AC/DC and there you have it: Back From The Abyss. The best Orange Goblin album to date, and a shoe-in to be one of the best albums of 2014! Ward’s bark has more bite than ever, Joe Hoare’s guitar pounds and snaps, and current single The Devil’s Whip races through the gears. And if you like this track then you’ll love the album.

Orange Fucking Goblin, baby! A guarantee of quality, with a capital BANG.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.