Paul Henderson
Classic Rock’s production editor for the past 22 years, ‘resting’ bass player Paul has been writing for magazines and newspapers, mainly about music, since the mid-80s, contributing to titles including Q, The Times, Music Week, Prog, Billboard, Metal Hammer, Kerrang! and International Musician. He has also written questions for several BBC TV quiz shows. Of the many people he’s interviewed, his favourite interviewee is former Led Zep manager Peter Grant. If you ever want to talk the night away about Ginger Baker, in particular the sound of his drums (“That fourteen-inch Leedy snare, man!”, etc, etc), he’s your man.
Latest articles by Paul Henderson

By Paul Henderson Published
When James Dewar died in May 2002 aged 59, rock lost one of its greatest and most overlooked singers

By Paul Henderson Published
The super deluxe version of Cream's Wheels Of Fire: Now available in triple vinyl or quintuple CD

By Paul Henderson Published
The leading lights of the Canterbury Scene’s third album is a genuine masterpiece – but pitifully few people heard about it on its arrival

By Paul Henderson Published
A short tribute to one of rock's all-time great bassists, Cream legend Jack Bruce

By Paul Henderson Published
Tales of the first true progressive rock album, from two of the men who made it

By Paul Henderson Published
The official sound of prog, made in Birmingham

By Paul Henderson Published
Buying guide These label shop windows were a new music lifeline for fans and helped launch the careers of many future stars

By Philip Wilding Published
Buying guide Heart-shaped guitars, Berklee music school and Frank Zappa – Steve Vai's had no ordinary career. Here are each of his albums, ranked from worst to best

By Paul Henderson Published
Jeff Beck was the guitar hero everyone admired, yet throughout his career he shunned the limelight more than basked in it

By Paul Henderson Published
Some of the events still exist today, but back in the 60s they played hosts to bands for whom future possibilities were entirely unknown

By Amit Sharma, Polly Glass, Henry Yates, Ian Fortnam, Paul Henderson, Richard Bienstock, Joe Bosso, Andy Aledort, Damian Fanelli Published
Celebrating the pioneering, the spectacular, the unexpected and the unrepeatable

By Paul Henderson Published
Original King Crimson members Ian McDonald and Peter Sinfield on the creation of key tracks from the first true progressive rock album

By Paul Henderson Published
With its twisted arrangements and otherworldly vocals, Family’s mind-boggling 1968 debut set a benchmark in underground music

By Paul Henderson Published
Barclay James Harvest's orchestral prog classic Once Again: now repackaged with a series of not-for-newcomers mixes

By Paul Henderson Published
Buying guide From the sublime to the ridiculous, from jaunty tunes to head-spinning jazz rock, the Canterbury scene is a prog-head’s Utopia

By Paul Henderson Published
Steely Dan's debut album Can't Buy A Thrill, freshly polished to appear on SACD and audiophile vinyl

By Paul Henderson Published
Classy, intelligent, sonically powerful stuff on King's X's 13th album Three Sides Of One

By Paul Henderson Published
Not yet ratedA worthy package from the Family man’s solo catalogue.

By Paul Henderson Published
In the late 60s and early 70s, rock music was synonymous with Festivals. Some of the events still exist today, but back in the day they could turn innocent hopefuls into household names

By Paul Henderson Published
Mixing rock and exotic musical styles, The Tea Party's Blood Moon Rising is arguably their best album since the mid-90s

By Paul Henderson Published
Guitar wizard Steve Vai returns with more magic spells, on the eye-popping Inviolate

By Paul Henderson Published
Mostly previously unseen footage as Bruce Springsteen & The E Street Band's The Legendary 1979 No Nukes Concerts proves a stunning vintage

By Geoff Barton, Malcolm Dome, Jerry Ewing, Paul Henderson Published
Made-up languages? The apocalypse? The guilt of lighthouse keepers? Newcastle-upon-Tyne? They're all present in our round-up of progressive rock's most ludicrous album concepts
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