
Chris Roberts
Chris Roberts has written about music, films, and art for innumerable outlets. His new book The Velvet Underground is out April 4. He has also published books on Lou Reed, Elton John, the Gothic arts, Talk Talk, Kate Moss, Scarlett Johansson, Abba, Tom Jones and others. Among his interviewees over the years have been David Bowie, Iggy Pop, Patti Smith, Debbie Harry, Bryan Ferry, Al Green, Tom Waits & Lou Reed. Born in North Wales, he lives in London.
Latest articles by Chris Roberts

“Keith Emerson said, ‘Why do I need to join Yes when I have ELP?’”: the story behind Yes’ delirious Relayer album
By Chris Roberts published
Rick Wakeman was out, new boy Patrick Moraz was in, and Yes were about to make their most underrated album of the 70s

“Chris and Jon often didn’t get on… I didn’t want to be the leader, but to be a strong voice on the team, brave enough to speak up”: Steve Howe learned to play peacemaker in Yes
By Chris Roberts published
Guitarist aimed “to be useful” in a band he believed had something to say

"It would be an obtuse listener who didn't grasp how splendid this record is": Steven Wilson's The Harmony Codex is a high-wire act that few artists could pull off
By Chris Roberts published
Solo album number seven The Harmony Codex finds Steven Wilson triumphing by not trying too hard

“I wouldn’t say I was angry, but I was definitely prone to ‘anger moments’… I would explode. The gear-trashing was the real thing”: How Muse took on the world and won
By Chris Roberts published
From the moment they started taking themselves seriously, the trio were convinced success would come their way – even as they became more out-there and ludicrous

Assault accusations, tax evasion charges: All this sits uncomfortably with our view of Sigur Rós as magic moon-faced elves. You can understand why they'd want to escape from reality
By Chris Roberts published
Sigur Rós's Átta: an album that quivers along a thin line between boring and beautiful

“I remember Nick Mason saying, ‘Pink Floyd is stopping… we’ll leave him to do the big outdoor concerts now!’” But Jean-Michel Jarre argues: “I want to contribute to tomorrow, not yesterday”
By Chris Roberts published
Pioneer’s life and times include predicting that electronic music would change the world by thinking “not in terms of notes, but as music that you do with sounds and noise”

“I just didn’t feel I could pull off the things Peter Gabriel did. I said: ‘I’ll give it a go but don’t expect me to wear costumes!’” Phil Collins’ first show as Genesis frontman
By Chris Roberts published
It took the revamped band months of worry off stage but just half an hour of fun on stage to secure their future in 1976

A beginner’s guide to Krautrock in five essential albums
By Chris Roberts published
The genre with the joke name that stuck: With a sonic imprint still discernible in all corners of music, these are five albums that tell the story of Krautrock

Anderson Bruford Wakeman Howe: Album Of The Week Club review
By Classic Rock Magazine published
The self-titled Anderson Bruford Wakeman Howe is the album from the version of Yes that wasn’t technically Yes at all

"I do like a good yarn!" Rick Wakeman and Journey To The Centre Of The Earth
By Chris Roberts published
As he prepared to bring a live version of his classic solo album to the stage 40 years later, Rick Wakeman looked back on the epic Journey To The Centre Of Earth

"I was never a show off!" - Tony Banks in The Prog Interview
By Chris Roberts published
Prog sat down with Genesis keyboard player Tony Banks upon the release of his classical album Five to discuss his shift into classical music and his career in general

Steven Wilson: proof that the received wisdom of punk-versus-prog is bunkum
By Chris Roberts published
Music history's parameters have been redefined on this sublime four-CD/seven-LP/two-LP selection curated by Steven Wilson

Todd Rundgren's Something/Anything: an epic that's as swoony as it is cerebral
By Chris Roberts published
50th-anniversary Record Store Day box of peak Todd Rundgren album Something/Anything

Sweet Billy Pilgrim - Somapolis: "Made with obvious love and drive..."
By Chris Roberts published
Not yet ratedSixth from enduringly eloquent art-rock artisans

Bruce Springsteen fails to catch fire on tasteful but hit-and-miss karaoke set
By Chris Roberts published
Bruce Springsteen cranks up his soul-man jukebox on covers album, with mixed results

HIM’s Greatest Lovesongs Vol. 666: how goth metal’s new superstars seduced the world
By Chris Roberts published
HIM’s debut album Greatest Lovesongs Vol. 666 was released on this day in 1997

Meet Gizmodrome, Stewart Copeland's punk prog supergroup
By Chris Roberts last updated
What began as an impromptu phone call has snowballed into a punk prog supergroup with Stewart Copeland as frontman. Meet Gizmodrome – they’re “a hell of a lot of band!”

Roger Taylor's live album a tidy, enthusiastically received triumph
By Chris Roberts published
The Outsider Tour Live is a scorching live set from Queen drummer Roger Taylor

Billy Idol's The Cage is compact, catchy, precision-tooled pop-rock
By Chris Roberts published
Stanmore’s finest Billy Idol gets his motor running on his second EP in a year, The Cage

Pink Floyd's Mortal Remains
By Chris Roberts last updated
Prog took a tour around the Pink Floyd exhibition and this is what we thought...

Sex, death and Lulu: the real story of Metallica and Lou Reed’s explosive collaboration
By Chris Roberts last updated
Metallica and Lou Reed’s Lulu album is still metal’s most controversial collaboration. This is how two unlikely worlds collided

Slade: a box set that questions whether punk really needed to happen at all
By Chris Roberts published
All The World Is A Stage is a five-CD set of live albums from the mighty Slade, three of them previously unreleased

Tim Bowness: the Elton John of sublime, avant-garde prog
By Chris Roberts published
No-Man vocalist Tim Bowness’s latest solo salvo Butterfly Mind does more than float

Jethro Tull's controversial parody concept album still holds together 50 years on
By Chris Roberts published
When is a concept album not a concept album? Jethro Tull's loquacious lampoon Thick As A Brick turns fifty

The story behind Kate Bush's first No.1 album, Never For Ever
By Chris Roberts published
From cheating husbands to saving the planet, Kate Bush explored a diverse range of subjects on Never For Ever, ensuring it was far more than just a pop record. We dissect the themes behind her chart-topping third album.
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