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Ulver: Trolsk Sortmetall 1993-1997

How black is my prog!

These days they’re renowned for their ambient, experimental approach, but in their early years, Ulver strayed on to the black side of the Norwegian tracks, as can be heard on this five-CD box set.

Well, actually, it offers up something of a dual perspective on the band, because while some of the music here is raw and slamming, it also brings out their more pastoral, orchestral delights. Trolsk Sortmetall might claim to focus on the band’s encompassing brutal, savage side, but much of the music contained herein actually accentuates the fact that, even in their early period, the band were laying the groundwork for what has happened since. Even on the primitive 1993 demo Vargnatt, which is showcased on the first CD, they hint at deeper musical ambitions in among the hypersonic dark riffs. This comes to some fruition on the 1995 debut album BergtattEt Eeventyr i 5 Capitier, which revels in jazz-rock and folk inflections. And by the time Kveldssanger came out the following year, the band had virtually abandoned black-metal pretexts for a style that had a lot more in common with Jethro Tull or recent Anathema than with Satan’s hordes. Oddly, it was only when they signed to Century Media that Ulver, who until then had been tied to the determinedly extreme metal Head Not Found roster, became a lot more straightforward as a metal band. All of which makes 1997’s Nattens Madrigal the most unappealing of the band’s supposed Black Metal Trilogy. It’s said that the band blew their advance on drugs, cars and clothes, and ended up recording this under-produced work in a forest. That said, the rehearsal versions included here are so much better than the finished item, you have to think the dreadful concrete sound was deliberate. Housed with a massive booklet, this isn’t so much a celebration of Ulver’s sinister metallic roots as an acknowledgement of their constant development.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.