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Stick Men + - Midori Album Review

Outstanding live set from Crimson side-project.

Stick Men + Midori album artwork

In between their various commitments with King Crimson, Peter Gabriel and other activities, Tony Levin and Pat Mastelotto have, since 2007, been busy building Stick Men into a standalone unit.

Along with 2010 recruit, touch guitarist Markus Reuter, they’ve tapped into audiences keen to hear their mix of Crimson-hued original material and robust interpretations from the Crimson back catalogue.

The inclusion of ex-Crim violinist David Cross brings with him a surprisingly forceful and gritty presence. KC touchstones such as Talking Drum, Larks’ Tongues In Aspic Part 2, and less well-known stompers such as Sartori In Tangier and Fripp’s Breathless, understandably play well to this Japanese crowd.

Yet sparks truly fly when Stick Men enter into their own distinctive identity and sonic space. Crack In The Sky, etched with Levin’s dry, spoken lyrics, casts an attractively moody light, while the knotty circularity of Hide The Trees snarls and growls. The improvisations peppering this two-disc set hit home and hit hard. Possessing a sinuous grace, they frequently mutate into darker, glowering energies, often spilling into welcome unpredictability.

Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.