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Procol Harum Live

Sumptuous. That’s the only word to describe this occasion.

For Procol Harum, it isn’t merely a chance to rewire their songs with an orchestra and a choir, but to present their music in the way that perhaps mainman Gary Brooker long dreamt about being able to do.

The band always sounded as if they were composing for a full orchestra, but had to put up with the constraints of the rock medium.

Here, though, it’s a band unleashed, not just embracing the moment but revelling in the freedom. Nowadays, many bands collaborate with an orchestra. What usually lets them down is that there’s no connection between the two disparate disciplines. That doesn’t happen here. The BBC Concert Orchestra interact seamlessly with the band, and it all sounds so organic, you forget how much rehearsal time must have been put in by all concerned to get to this high a standard.

Recorded for a Radio 2 Friday Night Is Music Night broadcast, the set inevitably concentrates on the more well-known songs from Procol Harum’s near 50-year catalogue. It begins with Homburg, and immediately you can tell how grandiose this performance will be.

Grand Hotel and Fires (Which Burn Brightly) soar, before the band are left to their own devices for Missing Person. However, this allows guitarist Dave Colquhoun (a last-minute replacement for the ailing Geoff Whitehorn) the chance to show his chops, and considering how little time he’s had to acquaint himself with the material, he’s a revelation.

The first set ends with A Salty Dog, dedicated to the memory of the recently departed Alvin Stardust, Jack Bruce, as well as to the absent Whitehorn. But a technical fault in the recording means the second set begins with the same song. The joys of being recorded by the Beeb!

It’s no surprise that the standout is A Whiter Shade Of Pale, stunningly embellished by the Crouch End Festival Chorus, and a reminder of why this song is timeless and still sends shivers down spines.

Astonishingly, though, this isn’t the climax, because An Old English Dream and The Blink Of An Eye build it all to a shuddering crescendo. And Conquistador is a colourful encore conclusion, leaving people so in awe, there appears to be a millisecond of stunned silence before an outbreak of rapturous applause.

Without doubt, one of 2014’s most charismatic shows.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.