You can trust Louder
Ethereal chanteuse Julianna Barwick first hit Prog’s radar with the heavenly looped vocals of 2011’s The Magic Place. We were late to the party: the Louisiana-born soundsmith had been beavering away with tech-craft for some years. Here she partners with Brooklyn-based latin guitarist Roberto Carlos Lange, aka Helado Negro, for something a little different.
Still using her extraordinary Liz Fraser-like vocals, Barwick also picks up guitar, vibraphone and synth to blend with Lange’s laconic amble down the alleys of rhythmical folk and dream-pop. It’s a gorgeous, somnambulant sunny daze of a record from two experimenters with an ear for astral uplift.
Lange’s is a calm and crystalline talent, rejecting the fiery latin stereotype with a tranquil and meditative direction, coloured by Hipstergram flashbacks and Tropicalismic character. Barwick’s otherworldly counterpoints fill the spaces with prismatic transcendence.
If this country is never to have a proper summer again this lovely confluence of Gilberto Gil, TV On The Radio, Bear In Heaven and This Mortal Coil will transport you to the great poolside in the sky. Most unique and charming indeed.
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Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.