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Knight Area: Hyperlive

Rather lacklustre fare from the Dutch proggers.

Those who dislike progressive rock music will always point to bands like Knight Area when they’re looking for vindication that the genre has no value.

And when you listen to or watch releases such as Hyperlive, then you have to admit that these naysayers actually might have a point. The fact is that the Dutch band can certainly play proficiently, and you have to accept they believe fully in their craft. Watching the performance here, captured earlier this year in Poland, it’s hard to find much worth. The problem is that they come across as dull and dreary. Sure, frontman Mark Smit changes his clothes at one stage (thankfully off camera), but there’s nothing else to distract from the stark reality that Knight Area plod along with an unattractive obviousness. Even if you’ve never heard them before, you can almost plot the way in which every track will play out. The influences from Pendragon, IQ, Camel and Yes are clear as soon as Afraid Of The Dark starts things off, and there’s precious little here to hold the attention from hereon in. At least Medley has the advantage of bouncing around between eight compositions, so it never gets bogged down, as do so many other tracks. Avenue Of Broken Dreams and Hypnotised both lose their way, each beginning with a pretty hopeful flourish… but then the band don’t contrive to do anything captivating with it. When you watch them perform onstage, there’s nothing to draw you in. Maybe they simply had a bad night, but as a band, they’re rather remote and distant, as if the task of playing in front of an audience is a little too demanding – no wonder the crowd seem unmoved. Somewhere in this collection of musicians might be the spark for an intriguing band, but judged solely on what they deliver here, none of those involved have so far found a way to bring this to a conflagration of inspiration. Sadly, if you’ve never heard this band before, Hyperlive won’t make you want to check out anything more from their catalogue.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.