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Judas Priest: Redeemer of Souls

The mighty Kings of British Steel are back with a new album, their first since 2008's Nostradamus.

Judas Priest's new album Redeemer Of Souls hits the stores this week... but have the band returned with a bang or a whimper? Malcolm Dome reveals what the new album taught him.

You won’t miss K.K. Downing

It’s the first time Priest have recorded without the man who founded the band more than 40 years ago. But Downing has been seamlessly replaced by Richie Faulkner. The new chap not only fits right into the unmistakable Priest dual guitar groove, but has given the band a fresh impetus. There’s a sharpness about the performances that can sometimes happen when somebody comes into a major band.

It’s old school Priest

Those who were disappointed by 2008’s conceptual Nostradamus – and this writer still has a strong affection for it! - or loathed the epic Lochness from 05’s Angel Of Retribution – Classic Rock’s Geoff Barton wasn’t a fan - will be relieved that Redeemer Of Souls is a return to the tighter format earlier Priest albums. In fact, the style brings to mind Sin After Sin and Stained Class. No complaints here.

Halford’s vocvals have changed

Inevitably, the Metal God can’t scream the way he once did. And there are those who have been critical of his more pragmatic approach. But he still sounds like nobody else, he still has a menacing, melodramatic edge and he doesn’t sound at all as if he’s struggling. This is one deity who ain’t about to abdicate.

The lyrics are still suitably silly

You’d expect nothing else from songs with titles like Dragonaut, Metalizer and Sword Of Damocles. The cod Conan The Barbarian storylines make Manowar sound like a tea break at the church bazaar…OK, not really, but they are pure Halford.

So, it is this a classic?

Well, it isn’t Painkiller, or British Steel, or Sad Wings Of Destiny. But it’s a lot better than some feared. It shows there’s considerable life in the Priest limbs, and these metal legends are not living off past glories. Live, a lot of these songs will sit comfortably alongside the usual suspects as well. In short, it’ll more than do.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.