Isildurs Bane - Off The Radar album review

Sweden’s best-kept prog secret fly high

Isildurs Bane - Off The Radar album artwork

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Following their acclaimed 2017 collaboration with Marillion’s Steve Hogarth, Colours Not Found In Nature, the Swedish ensemble have returned to the international stage with an entirely instrumental album. Directed by Mats Johansson, keyboardist and the band’s musical director of nearly 40 years, Off The Radar showcases the group’s near orchestral reach. Given the band have tuned percussion, keys, guitar, woodwind, strings and a double-drum set-up at their disposal, they produce a richly textured, versatile sound that knits electronic, rock, jazz and contemporary classical elements into a highly nuanced force. Compositions move from the anthemic Drive 1-3, with its pounding rock beats, fat analogue synth timbre and luscious folds of elastic brass through to the more menacing, amorphous clouds of Endless Air. Here, glowering ruminations on bass clarinet and vaporous drones could soundtrack a contemporary horror flick. Through their annual IB EXPO event, now in its 11th year, they’ve performed alongside Terry Bozzio, David Torn, Phil Manzanera, various members of King Crimson and ex-Japan alumni – providing ample testimony to their phenomenal musicality.

Sid Smith

Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.