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FM: Nearfest 2006

The Canadian proggers are so near to genius here.

Often regarded as peripheral figures on the Canadian prog scene, FM thrum with brilliance on this live recording.

The trio exude power, emotion, virtuosity and play thrilling melodies and, such is their dextrous flow and confidence, it’s amazing to think this was the band’s first live performance in a decade. At various points their musical approach brings to mind Yes, Rush, Saga and Tangerine Dream, but veterans Martin Deller, Cameron Hawkins and new member Claudio Vena ride through with their own wash and verve. The band perform almost the whole of 1977’s debut album Black Noise, with most of the remainder of the set drawn from Surveillance, released two years later. The way the trio intertwine their own separate musicalities provides an object lesson in how to turn self-contained individuals into a seamless collective. Italian Vena slips easily into the line-up, his use of viola and mandolin complementing Hawkins skilled keyboard slides. Deller, meantime, is unfussy behind his kit, adding flourishes where necessary rather than merely to accentuate his own capacities. When it’s required, Hawkins’ voice radiates with a clear command that nods towards Jon Anderson, while definitely singing from his own songsheet. Everything about this show holds the attention and it’s tough to pick out highlights here; everything holds the attention. But what the DVD part of this package shows is how FM sparingly use projections, so that when they are employed the impact is precise. Both Hawkins and Vena are active and activated throughout and the three work within the confines of simple lighting effects as well. That said, they don’t interact much – there’s scarcely any acknowledgement of the audience by the band. They seem a lot more intent on changing instruments and tuning up between tracks than bantering with the Pennsylvania crowd, who, judging by their reaction, are as entranced by FM as anyone watching this will be. There are no extras to speak of, but even without these this is still a superior live release.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.