Blue October: Home album review

Justin Furstenfeld’s assured and optimistic return as Blue October.

Album cover for Blue October's Home

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They’ve had Top 40 singles and a platinum-selling album in the US, but elsewhere Justin Furstenfeld’s alternative rock band have a very low profile. Yet they do have a loyal following, as shown by recent sold-out gigs at shows in London and Manchester. The Texas outfit specialise in big, anthemic music dealing with intimate themes (2011’s brilliant Any Man In America remains one of the rawest divorce/custody battle albums out there). A highly sensitive yet powerful artist, Furstenfel’s tough vocal style often echoes Peter Gabriel, Fish and Trent Reznor.

He says Home is about ‘what we do with our time on earth’ and ‘bettering ourselves’, and there is an air of melancholy optimism imbuing Coal Makes Diamonds, I Want It and the upbeat Heart Go Bang. With reverberating piano and delayed guitars, the musical palette’s catchy, contemporary and polished – just the right side of U2/Keane; more Talk Talk than Coldplay. Leave It In The Dressing Room (Shake It Up) and Houston Heights are heavier, but Furstenfeld’s abrasive conviction elevates these above stadium rock banality. Beautifully constructed and intensely performed, a thrilling mix of mainstream and art-rock moments.

Grant Moon is the News Editor for Prog and has been a contributor to the magazine since its launch in 2009. A music journalist for over 20 years, Grant writes regularly for titles including Classic Rock and Total Guitar, and his CV also includes stints as a radio producer/presenter and podcast host. His first book, 'Big Big Train - Between The Lines', is out now through Kingmaker Publishing.