Azziard - Metempsychose album review

Blackened death with extra widescreen welly

Cover art for Azziard - Metempsychose album

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High production values haven’t always been welcomed in the metal underground, but it’d take a formidable sonic Scrooge to deny that Azziard’s sound cries out to be rendered in big, bombastic shades of black. Metempsychose is light years ahead of the French crew’s first two albums, both in terms of production and songwriting, wherein the band seem to have grown exponentially to fit the grandiloquent possibilities that technology increasingly allows. Put simply, opening epic L’Enfer sounds fucking huge: a barrelling onslaught of pitchblack, abyss-conjuring nastiness that fills the room like an infernal poison gas attack. Nastier and weirder than their near-symphonic opulence suggests, songs like Ascension and Archetype marry ornate death to feral black (or is it vice versa?), all delivered with a level of steroidal bellicosity that might even make Dark Funeral think twice before engaging.

Dom Lawson
Writer

Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.