Stevie Nicks originally wanted nothing to do with the Tom Petty song that launched her solo career
Stevie Nick’s first reaction to the suggestion that she record Tom Petty’s Stop Draggin’ My Heart Around as a duet on her debut album wasn't a positive one
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
First impressions can be tricky business, especially when the wrong judgement can have the power to make or break an entire career.
This was most certainly the case when Fleetwood Mac singer Stevie Nicks was first offered to duet on the Tom Petty track Stop Draggin’ My Heart Around for her 1981 debut album Bella Donna.
In the latest issue of Classic Rock, it’s revealed that Nicks actually originally wanted no part of the collaboration, on the basis that she wanted all the material on the album to be her own. However, it would be that song that Nicks would eventually credit the launch behind her successful solo career.
In fact, Nicks stormed out the studio when producer/boyfriend Jimmy Iovine proposed the idea of recording the duet with Petty, but thankfully she had a change of heart. Revealing the moment she returned into the studio to agree to the definitive collaboration, she admits, “‘Okay, you’re absolutely right. I’m sorry for being so bitchy about this, it’s just that I’m so protective of my songs.’ And because of that song, I have a solo career to this day.”
Tom Petty initially wasn't too thrilled about the duet either, as he had plans to re-cut the track, rather than keeping the original. He said, "He [Iovine] plays me Stop Draggin’ My Heart Around, the same track, with her singing. I go: ‘Jimmy, you just took the song?...His comeback was, like: ‘This is gonna buy you a house.’"
"But it pissed me off because it came out at the same time as our single [A Woman In Love], and I think ours suffered.”
In another questionable moment of judgement, it's revealed that Heartbreaker keyboardist Benmont Trench, the 'musicial director' of Bella Donna, wasn't exactly a fan of Nicks on their first meeting when his band backed her on the recording of Outside The Rain. He says “I had seen Fleetwood Mac play, and with Stevie I just didn’t get it. I didn’t know what was going on with the top hat and the twirling and the witchy stuff”.
Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!
But again, discernments were revised, and Tench ended up working with Stevie Nicks on her first album. The change in judgement came about when he decided to go out and buy a Fleetwood Mac record. He explains, “But then I bought the single to Go Your Own Way and flipped it over, and there’s Silver Springs. Good Lord, what a song.”
“The second I heard that, I went: ‘Now I get it. That’s Stevie. She’s not faking. She’s for real. She’s not a poser in the least. She’s a creative perpetual-motion machine. This is somebody I’d really love to play music with.’”
Stevie Nicks would go on to form a lifelong friendship with Petty, eventually dubbing her a "honorary heartbreaker". They last played together in 2017, when Nicks joined Tom Petty & The Heartbreakers on stage for British Summer Time in London's Hyde Park.
For the full interview, pick up the new issue of Classic Rock magazine, which hits the shops (and online) on April 29.

Liz manages Louder's social media channels and works on keeping the sites up to date with the latest news from the world of rock and metal. Prior to joining Louder as a full time staff writer, she completed a Diploma with the National Council for the Training of Journalists and received a First Class Honours Degree in Popular Music Journalism. She enjoys writing about anything from neo-glam rock to stoner, doom and progressive metal, and loves celebrating women in music.
