Headhunters recall country label struggle
Richard Young recalls how 1989 debut won them an audience they didn't want
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Kentucky Headhunters frontman Richard Young has recalled their early image struggle after being labelled a country music band.
And he’s told how veteran pianist Johnnie Johnson decided to work with them in 2003 after playing just one song.
Pickin’ on Nashville, the band’s 1989 debut, injected southern rock and blues into country radio, and went on to sell more than two million copies – but the exposure did them few favours long-term.
Young tells PostCrescent: “”I look back now and think how ridiculous it sounded to hear the Headhunters on country radio. It didn’t make a lot of sense, it was so different. It sounded like a band from the 70s doing southern rock.”
The band’s most recent release, Meet Me In Bluesland, was recorded with Chuck Berry sideman Johnson in 2003, but only released last month.
Young says: “It was surreal, man. Johnnie walked up and said, ‘I hear you boys made it in the country and western business. I’ve been playing country and western with Chuck Berry all my life. I want to make a blues-jazz album.’”
Johnson told them he’d play one song and that would decide whether he’d stick around. He chose Berry classic Little Queenie – which the band had been playing for years.
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“We killed it,” Young recalls. “Johnnie stood up, lit a cigar and said, ‘Okay, I’m in the Headhunters.’”
Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band, a band he once managed, and the best-selling Apollo Memories about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving intro all things music, can be found travelling along the UK’s vast canal network.
