Jimmy Page reveals how he conjured his solo to Stairway To Heaven from a ‘magical’ guitar

Jimmy Page
(Image credit: Michael Putland/Getty Images)

Jimmy Page shares his memories of recording Led Zeppelin classic Stairway To Heaven in the new issue of Classic Rock magazine, and reveals how he conjured the track’s iconic solo from a “magical” guitar.

The new issue of Classic Rock takes an unparalleled deep dive into the making of Zeppelin’s classic fourth album, and guitarist (and producer) Page has clear memories of laying down his solo on the album’s best-known track, Stairway To Heaven.

“I would invariably do guitar solos at the end, once the finished vocals and any overdubs were already on,” says Page. “Under the circumstances here, there’s a bass, an electric, 12-strings, recorders, a whole manner of things. I always put the solo on at the end because you’ve really living the track by then, and being the producer you’ve already supervised all the overdubs that have already gone on.”

“I basically got my Telecaster out to do that solo. Even though I’d been playing Les Pauls, I wanted to get that bite of the Telecaster on it. It was the same Telecaster that I’d played on the first album, the one Jeff Beck had given me that I’d used in The Yardbirds. A bit of a magical guitar, really.”

As Page remembers it, his solo was recorded “very quickly”.

“I just said: ‘Roll it’, took a deep breath – that’s what I usually do – and then go. I had a couple of cracks at it, because you didn’t have as many options as you would have now. I worked out how I was going to actually come into it, the first two or three notes, but after that I didn’t work it out, I just played it.”

Engineer Andy Johns was in the control room when Page tracked his solo. His recollection was that the guitarist “had a little bit of trouble with the solo” initially. 

“He hadn’t completely figured it out,” Johns recalled. “I remember sitting in the control room with Jimmy, he’s standing there next to me and he’d done a few passes and it wasn’t going anywhere. I could see he was getting a bit paranoid, and so I was getting paranoid. I turned around and said: ‘You’re making me paranoid.’ And he said: ‘No, you’re making me paranoid!’ Then: bang! On the next take he ripped it out. Of course, it’s a really wonderful solo. Pagey was just unbelievable.”

Looking back, Jimmy Page likens his fluid soloing on the album’s epic high-point as “a stream of consciousness.”

“It’s ad-libbed just as much as it would have been in any of the live shows,” he says. “After the recorded version was laid down on record, the solo would remain in a similar vein live, but not exactly the same. I was constantly changing it, mutating it, like we did with all the songs.”

“That doesn’t mean I ever surpassed the one on the record,” he stresses. “It is what it is and you can tell that it’s just flying. It’s not a laboured solo, it’s not something that’s worked out, written down and read, it’s more like a stream of consciousness.”

In 2016, Classic Rock readers voted Page’s work on Stairway To Heaven the greatest guitar solo ever. The maestro was somewhat cautious about accepting the plaudits.

“Is Stairway To Heaven my best Zeppelin guitar solo?,” he pondered. “No, but it’s pretty damn good. If everyone else says it’s my best solo then that’s great, that’s good, but there are others that I prefer.”

For more in-depth analysis of Zeppelin’s best-selling album, pick up the new issue of Classic Rock, which is on sale now. 



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