“A comedy with teeth.”1995's Blur vs Oasis 'Battle of Britpop' to be dramatised in a new play staged in London next year
Novelist (and former British record industry A&R man) John Niven is writing The Battle, about the rivalry between Blur and Oasis
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
The intense rivalry between Blur and Oasis is to be revisited in a new play coming to London's West End next year.
Kill All Your Friends author John Niven, formerly Mogawai's A&R man during his time working in the UK music industry, has been commissioned to write The Battle, “a comedy with teeth”, according to an interview given to Deadline by the show's producer Simon Friend (The Life of Pi, The Father).
The animosity between Blur and Oasis peaked in the summer of 1995 when the two bands competed for the number one spot on the UK single's chart, after Blur frontman Damon Albarn persuaded his band's record label to tweak the release date of their Country House single so that it would go head-to-head with Oasis' Roll With It. Both singles were subsequently released on August 14, 1995, with the so-called 'Battle of Britpop' getting coverage on the national TV news and in broadsheet newspapers.
“Crazy stuff happened,” Friend tells Deadline. “You had couples breaking up over it, there was a lot of family strife and other crazy stuff. It was quite extraordinary just how deep into the zeitgeist it managed to reach that you had to be one or the other, you couldn’t be both, which to me, it feels like the subject of brilliant drama.”
Friend adds that there “seems to be a great nostalgia for the mid-90s right now”, a reference, no doubt, to the current excitement around the Oasis reunion tour scheduled for next summer.
Neither Blur nor Oasis will be working with Niven and Friend on the production. Deadline reports that negotiations are taking place with a prominent director for the play, and actors have been approached about portraying the Gallagher brothers and the members of Blur.
The latest news, features and interviews direct to your inbox, from the global home of alternative music.

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.
