The 10 best Peter Green era Fleetwood Mac songs

Fleetwood Mac with original guitarist Peter Green
Fleetwood Mac with original guitarist Peter Green (Image credit: Michael Ochs Archive\/Getty Images)

There are two distinct Fleetwood Mac eras. One is the hugely successful, ongoing Buckingham/Nicks mainstream version. Before that, though, there was the first line-up, namely Peter Green’s Fleetwood Mac. This lasted from 1967-70, a period when the band were regarded as pre-eminent blues rockers. And they recorded some indelible tracks. Here are the best.

10) Need Your Love So Bad (1968)

A hit single for the Mac, getting to No.31 in the UK chart, this cover of the Little Willie John song is calm and stylish, and provides an early showcase not only of Peter Green’s guitar brilliance, but also of the depth in his vocal abilities.

9) Stop Messin’ Around (1968)

A Peter Green original, this appeared on the Mr Wonderful album. While it has much in common with so many other British blues rock songs of the era, what makes Stop Messin' Around stand out is sheer ebullience and depth of musicianship. The band genuinely sound like they connect with the American deep south.

8) Searching For Madge (1969)

Written by bassist John McVie, the track might begin as a seemingly straightforward blues song, but it quickly takes a turn into a more psychedelic routine. Not only do Peter Green and Danny Kirwan play some momentous guitar parts, but Mick Fleerwood’s drumming throughout is propulsive. It’s a quite remarkable and near freeform instrumental.

7) Shake Your Moneymaker (1968)

A jaunty romp through the Elmore James song, with Jeremy Spencer doing a fine job on the vocals. The band glide through this with a good deal of energy, yet while they never lose respect for the compositional structure, nonetheless the four also add in their own sense of character and dynamic.

6) Rattlesnake Shake (1969)

Green once admitted this song from Then Play On was about masturbation – well, the title gives that away! A commanding representation of what the band did best – musically, that is – it has enough opportunity for the musicians to get involved in extended jam sessions live. But the studio version is tight, rhythmic and entertaining.

(Image credit: Getty)

5) Black Magic Woman (1968)

Yes, to most people this is most recognisable as a Santana song, because they had the biggest hit with it. But the Fleetwood Mac original has all the trademarks which make Black Magic Woman a classic. The chiming, near Latin shuffle offsets the typically composed blues fire. The combination is inspired.

4) Albatross (1968)

An instrumental single that topped the UK charts, this is a brilliant example of the way in which Green and Kirwan complemented one another. Majestic, haunting, it actually inspired The Beatles’ Sun King, and retains its power to move you. One of the truly great rock instrumentals, the impact is peerless.

3) Man Of The World (1969)

One of the most abject and haunting songs of the Peter Green era, this is a tale of craving. It’s about someone who believes he has everything, except what he most wants: a companion. Green delivers the vocals with a slow burning sense of emptiness, which is highlighted by the band’s low key, sympathetic gentility.

2) Oh Well (1969)

This is two songs in one. The first part is a high speed blues workout featuring vocals, while the second is a more classically inspired instrumental glide. The opening section is heavy enough to be proto metal, and has some flashing riffage from Green and Kirwan. The latter one is more moody. The combination, though, is inspired.

1) Green Manalishi (With The Two-Prong Crown) (1969)

This is among the last songs Green wrote before quitting the band. An insistent riff carries the rhythm, while Green wails the near impenetrable lyrics. At the time, he was taking a lot of acid, but has always maintained this was about the evils of money. Later covered by Judas Priest, it’s an unforgettable bridge between blues, psychedelia and metal.

Malcolm Dome

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021