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The story behind Procol Harum's A Whiter Shade Of Pale

Procol Harum
(Image credit: Getty Images)

It’s a single with almost incomprehensible lyrics, has been the subject of drawn-out legal proceedings, and is the most played record by British broadcasting over the past 70 years or so.

The single is A Whiter Shade Of Pale, the debut release from Procol Harum that not only topped the UK charts for six weeks, but also made it to Number Five in America.

“Keith Reid [Procol Harum lyricist] had written the lyrics and posted them to me,” recalls pianist/singer Gary Brooker. “I’d been working on a musical idea, which until then had been purely instrumental, when I opened the post and A Whiter Shade Of Pale was on the top of other lyrics. I was immediately taken with the immense length of the original four verses with a chorus on each, and the narrative form it took, with its mysterious characters and goings-on.”

Brooker had been working on melody inspired by classical composer Johann Sebastian Bach, saying: “Throughout 1966 I had followed with interest the work of the Jacques Loussier Trio and the Swingle Singers, who had made an art of adapting Bach pieces. Air On A G String was the starting point but the rest was invention, with constant reference to Bach-like breaks and atmosphere.”

Released in May 1967, it debuted at Number 11 in the UK, reaching the top a week later. But despite the instant success, Brooker wasn’t about to get carried away by pop stardom.

“When it was at Number One, a Rolls Royce appeared at my flat to pick me up for Top Of The Pops. I asked who had booked it, the driver said, ‘Your manager.’ We sacked him and I took the bus!”

In recent times, the song has been the subject of a protracted court case, with organist Matthew Fisher claiming he co-wrote the music with Brooker. But what is it about A Whiter Shade Of Pale that has made it so enduring and iconic?

“It came along at just the right moment, and meant so much to so many people at a formative time,” considers Brooker. “Now, younger people hear it and it still sounds full of atmosphere. It reflects an era that, perhaps, they wish they could have experienced.”

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.