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The story behind Princess Of The Night by Saxon

Saxon
(Image credit: Getty Images)

It would be easy to take a glance at the title and get the wrong idea of what Saxon’s Princess Of The Night is all about.

“Well, not every country in the world is into steam trains,” laughs vocalist Biff Byford today, as he revisits the song that helped establish Saxon as big players in the New Wave Of British Heavy Metal. “And while people sing along with the chorus, they don’t necessarily know all the rest of the lyrics. For instance, in Japan we had to explain what it was all about. I think they had their own theories of what a ‘princess of the night’ might be…”

The song came to Biff while Saxon were doing the Strong Arm Of The Law tour in 1980.

“I wanted to do a song about a steam train, because that was something I was really into when I was growing up in West Yorkshire. A few of us kids used to go down to the viaduct at night and watch the mail train rumble past. Then in our early days, the band would park our van at Barry Island in Glamorgan, a graveyard for steam trains. We used to try and nick things off of them as well. So, I had it in mind to do a song that would celebrate what was, even by 1980, a bygone era.”

However, it took a little while for Biff’s initial scribblings on paper to develop into the song Saxon fans know and love today.

“I had the chorus worked out with the melody line, and some of the verses, but it didn’t really all come together until Paul Quinn had an idea for the riff. As soon as I heard that, I knew I could make the lyrics I had work with it. I had to rearrange the riff a little to really get it all into place, but once we had that sorted, the rest flowed.”

Saxon actually rehearsed the song before recording it without drummer Pete Gill, which led to a slight problem…

“I can’t recall why Pete wasn’t with us, but we had a guy called Mark Pinder standing in, and he came up with a brilliant idea for the bass drum part in the second verse. But when he heard what Mark had done, Pete wasn’t very happy about it at all. We got him to do it in the end.”

The song was the opening track on 1981’s seminal Denim And Leather album, and released as a single, reaching number 57 in the UK chart. Over the years, it has become one of the band’s most loved and enduring songs.

“We knew when we’d recorded it that this was something special, but what we didn’t realise was how much the fans would take it to their hearts,” admits Biff. “It’s still one of our most popular tunes live. Everyone likes to join in the chorus, and it’s become a massive anthem for us.”

And when it comes to the metal legends’ evergreen live shows, Biff still delights in performing Princess Of The Night onstage.

“I never get tired of doing it,” he beams. “I’ve never thought we should drop it from the set because it’s becoming a ‘bit stale’. There have been times when we’ve had to leave it out, but that’s down to time restrictions, not because we are fed up with playing it.”

Princess Of The Night and the album that bore it would prove to be hugely influential within the bubbling NWOBHM scene, and the generations of bands that followed in its wake. If you listen to Metallica’s Seek & Destroy today, you’ll hear a guitar solo that’s clearly inspired by what was going on on Princess

“Metallica have always said they’ve been heavily influenced by Saxon, and you can tell that with Seek & Destroy,” agrees Biff, before adding with a chuckle: “I wish they’d actually do a version of Princess Of The Night – the royalties would be useful! There are hardly any covers of that song, actually. When you consider that it’s such a simple, singalong song, that’s surprising.”

Ultimately, though, Biff is proud that Saxon are still helping to celebrate a bygone era.

“I like to think that whenever the band perform it, we are doing our bit to keep steam trains in fans’ minds!” he laughs.

Saxon's new album Thunderbolt is out now, available to order from Amazon and from HMV.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.