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Ten facts about Deep Purple's Made In Japan

The album was recorded in 1972 at the Koseinenkin Hall in Osaka (August 1516) and the Budokan, Tokyo (August 17). These were Purple’s first ever shows in Japan, but they weren’t the originally scheduled dates. The band were supposed to play in Osaka and Tokyo in May, but the shows were postponed due to American dates being rescheduled, and because Blackmore had been suffering from hepatitis.

The same venue in Osaka would be the location for the last show from the Mk 2 line-up. This was on June 29, 1973.

While Child In Time was the second song on the original release, Smoke On The Water was the second track played on the Japanese dates.

Engineer Martin Birch says that neither Ian Gillan nor Ritchie Blackmore had actually heard the album before it was released. Only Roger Glover and Ian Paice from the band were in the studio when it was mixed.

The entire budget for the album was $3000, and there are no overdubs.

The back cover for the album was actually a photo from the Brixton Sundown (now the Brixton O2 Academy). The gig was on September 30, 1972. And if you look closely, you’ll spot a young Phil Collen in the crowd. Yes, the Def Leppard guitarist!

The best gig of the three was considered to be the Tokyo one. But the recording quality wasn’t as good as those from Osaka, so only The Mule and Lazy on the original album were taken from this date.

In Japan, the album was titled Live In Japan, and had a different sleeve design to the one we know and love.

While it was a double album in most countries, in Uruguay it was issued as a single record.

This was the highest charting album the Mk II version of Deep Purple ever had in America. It got to number six.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.