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My Prog Hero: Tom G Warrior on early Roxy Music

A shot of Roxy music in their early days

“People might be surprised to read this, but I was very heavily inspired by progressive music when I was younger. I listened to so many different artists that it’s very tough for me to talk about just one. It seems almost insulting when there are lots who had an effect on me when I was in my teens.

I have to make an honourable mention of Keith Emerson. The way he used classical music with ELP on albums like Tarkus had a massive impact on me. But I’m going to celebrate Roxy Music here.

I can’t exactly recall when I first heard them, but I would think it was on a southern German radio station which played a lot of prog. What I loved about them was their fearlessness and delight in experimenting. If you listen to them now for the first time, then you might wonder what all the fuss is about, because what they did sounds like no big deal in 2017. But in the 70s, it was radical and exciting, and they were pushing the boundaries without any concern for commercial compromise.

Phil Manzanera’s guitar playing made an impression on me as a budding musician, but it was their all-round style that impressed me most. They became more mainstream, but in those early days there was nothing quite like Roxy Music.

I got into them through their second album, For Your Pleasure, and then retrospectively discovered their self-titled debut. And there’s no doubt they had an influence on what Celtic Frost did on our [recently re-released] albums Morbid Tales, To Mega Therion and, especially, Into The Pandemonium.

If I have to select the best Roxy Music album, then it would be For Your Pleasure. What sets this apart from the rest of their catalogue is the songwriting; it’s of the highest calibre, and is very powerful. If you combine this with the band’s devotion to being individual and cutting edge, then you have a very potent album that, to this day, still resonates with me.

There are so many progressive artists to whom I owe so much. But Roxy Music are one band that I would always choose as being a major part of who I am today.”

Celtic Frost’s reissues are out now through BMG.

Every Celtic Frost album, in Tom G. Warrior's words

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.