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My Prog Hero: Kip Winger on why he loves Peter Gabriel

A press shot of PEter Gabriel

“I was a fan of Genesis and the first few Peter Gabriel solo records, but I really became fanatical in 1982 when Security was released. This exemplified the future for people like myself. The record stepped out of the norm so far that it was a total game changer. His choices and use of sounds, sampling and overall orchestration and production, was so cutting edge it was astounding. Lyrically it was above and beyond 99 percent of everything else.

In my opinion, Gabriel, more than any other artist, set his own personal standard incredibly high. One gets the sense that he’s constantly questioning his material and constantly improving right up to the very end; so much so that when you listen to the music, you can hear ideas that didn’t materialise on the records, and the music on the records still develop long after they’ve been recorded and released.

He’s been an influence on me in every way. Musically, lyrically, production, musicianship. You can hear it in my solo records. It may sound ironic having come from a band like Winger, but to put this into perspective, I wrote the song In The Heart Of The Young in 1983 before I was in Alice Cooper’s band. Many of the songs I wrote during that time were in the vein of Security. While I was with Alice Cooper, the metal scene was coming back and I came from the late 60s/early 70s, so I went in that direction with Winger. Personally, as the music on my solo record shows, I was further in the direction of Gabriel. If you listen to a song like Don’t Let Go you’ll hear that.

With an artist like Peter Gabriel, you can be sure that he thought out the concepts behind his music to the highest level, to the point that the musical conclusion is nothing short of a work of art. This is the difference between musicians who are entertainers versus musician who are true artists.

A chance to work with him would be incredible. But in a way I do work with him, or rather he works with me as a mentor; having Peter Gabriel on your shoulder always raises the bar a bit higher.”

Kip Winger’s Conversations With Nijinsky is out now

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.