How Skeletonwitch found the strength to carry on

“We were at the edge of the cliff,” admits Skeletonwitch guitarist Scott Hedrick, chatting to Hammer on a rare day off in Hanover, amid a frantic schedule of Euro festival appearances. His band have just gone through one of the most turbulent times of their career, firing their original frontman Chance Garnette in late 2014 under controversial circumstances.

“This whole thing started with Nate [Garnette, guitar] and I in college, and now we’re the only remaining original members. We walked to the edge and it was like, ‘Do we want to continue this band anymore? Do we want to go through the process of getting a new vocalist?’”

To answer this question, they would have to look away from the yawning abyss and towards the path that had taken them there in the first place.

Formed by Scott and Nate in 2003, Skeletonwitch began as a way for the kindred spirits to express their creative vision while studying at Ohio University. With Nate’s brother Chance on vocals, the trio would form the core of Skeletonwitch for more than a decade, growing from an act that booked shows and mini-tours during school holidays into a well-respected institution of the American extreme metal scene.

Drawing their sound from across the expansive extreme metal canon, the band could just as easily tour with death metal bands as with thrash, their sound owing fealty to both camps while never squarely fitting in with either.  That didn’t stop them from being lumped in with the mid-00s thrash revival movement, though (“That was totally just a proximity thing,” Scott says). With this approach, Skeletonwitch were able to escape the inevitable creative stagnation that would catch up with many subgenre adherents. But, while they remained a vital force, tensions were bubbling under the surface.

In October 2014, during a tour with Amon Amarth, Chance stopped appearing onstage with Skeletonwitch to address what the band called “serious personal matters”, and the remaining members played as an instrumental four-piece. At the same time, reports arose that he had been arrested ‘on charges of assault and battery on a family/household member’, an incident that proved to be the final straw for Skeletonwitch. But while they had decided to fire Chance, they didn’t make an official announcement, leading many fans to believe his absence was temporary. In early 2015, the band hit the road for a European tour and drafted in Cannabis Corpse/Battlemaster vocalist Andy Horn. The message was clear: Chance Garnette was no longer part of the fold.

Chance responded with a public statement to the site Metal Injection, citing “a drinking problem” as the reason for dismissal. 

Scott sighs. “I don’t want to get into it too much; it would be very easy for us to make him into a villain, and I don’t want that to take away from people’s memories of him being a charismatic frontman, or the guy behind those shows and records. If people want to think us callous because we kicked out the guy because he was drinking too many beers… they can have that false narrative. But it’s very telling that Nate is still in the band, but his brother isn’t.”

The topic of Chance is unavoidable, and Scott deals with questions with the tactful grace that any sensible person would when forced to discuss an ex-bandmate. That said, some details do become apparent as we chat – that Chance’s dismissal wasn’t the result of a single event, but rather a number of things (the phrase “negative energy” comes up often), that even though Nate and Chance still have a familial relationship, Scott hasn’t spoken to him since (“I sent an email asking if he wanted to grab coffee – he didn’t respond”), and that the relationship had soured long before the eventual departure. Ultimately, though, Scott sees it as something the band had to go through to get to a better place.

“It’s a bummer Chance behaved the way he did, but [the firing] was unavoidable,” Scott says. “People can think we were callous or whatever if they want – we’ll happily take one on the chin for the sake of moving on.”

As their European tour ended, it quickly became apparent that Andy didn’t have the time to join the band on a permanent basis, leaving the looming question of whether Skeletonwitch could continue with a new vocalist. Yet the bond that had been forged between Scott, Nate and long-time bassist Evan Linger won out, the trio having been through enough to know there was something special in Skeletonwitch’s eclectic mix of styles and sub-genres. From there, it was a question of finding somebody they could gel with. They turned to Wolvhammer and ex-Veil Of Maya vocalist Adam Clemans, who they admired and had toured with.

“Adam was the first guy we properly tried out,” Scott says. “He flew over for the weekend from Minneapolis to see if it would work, learning a bunch of old songs. He knocked it out of the park – 10 minutes or less in, it was like, ‘Yeah, this guy is our guy.’ But we kept him in the dark a little bit, which was funny because he went through the full range of human emotions, like, ‘I’m the guy, I got the gig, right?!’ to, ‘Damn, I didn’t get the gig?!’”

While the band demonstrated Adam’s skills on 2016 EP The Apothic Gloom, new record Devouring Radiant Light expresses the full extent of their dynamic. “Adam brings a lot to the table,” Scott says. “He’s a big part of our new intensity; he doesn’t try to be vicious, brutal or dark – it’s just what he does. There’s no artifice or false character there.”

Now 15 years into their career, Skeletonwitch are a more refined unit. The genre-bending tendencies of the past haven’t just been upheld, they have been perfected, Devouring Radiant Light offering up a seamless mix of furious black metal, rampaging thrash and even the transcendental pomp of prog. It is the fruit of a happier, healthier band; a record of immense ambition. With their sights set on a permanent drummer (one-time Job For A Cowboy sticksman Jon Rice is currently behind the kit – “We’re definitely thinking of putting a ring on it!” Scott jokes), plus US support slots with System Of A Down and a UK tour on the horizon, 2018 looks set to be a good year.

“We’ve all been through so much bullshit that we’re coming at this from a place of positivity,” smiles Scott. “Everybody’s having fun again and we can do whatever the fuck we want.” 

Devouring Radiant Light is out now via Prosthetic Records

Rich Hobson

Staff writer for Metal Hammer, Rich has never met a feature he didn't fancy, which is just as well when it comes to covering everything rock, punk and metal for both print and online, be it legendary events like Rock In Rio or Clash Of The Titans or seeking out exciting new bands like Nine Treasures, Jinjer and Sleep Token.