“I walked home in the rain thinking: ‘Oh my God, I’m gonna be a plumber for the rest of my life!’” Alex Lifeson can’t forget what happened after Rush opened for the New York Dolls

LONDON, UNITED KINGDOM - MAY 24: Alex Lifeson of Rush performs on stage at O2 Arena on May 24, 2013 in London, England. (Photo by Christie Goodwin/Redferns via Getty Images)
(Image credit: Getty Images)

Rush have been what Geddy Lee calls a “big venue band” for most of their career. But of course they did play small places at the start.

When they weren’t busy temporarily firing their new frontman (“Still sore!” jokes Lee), they took whatever infrequent gigs they could, graduating from high schools and bar mitzvahs to bars and clubs.There were some mismatched pairings along the way. Especially the time they opened for lipstick-smeared proto-punk pirates the New York Dolls at Toronto’s Victory Theater in October 1973.

It was a hometown show, so Rush were on relatively safe ground – or at least they assumed so. Afterwards, Alex Lifeson and a buddy decided to hitchhike to their home north of Toronto, rather than take the subway and a bus with the stage equipment they were carrying.

“It was a rainy night and thankfully this couple pulled over to offer us a lift,” the guitarist says. “We got in the back seat and we were driving along. I said, ‘What have you been up to?’ just to make conversation.

“The driver said, ‘We went to see the New York Dolls.’ And his girlfriend said, ‘Yeah, and the opening act was so awful, we couldn’t believe it!’” Lifeson mimics the woman looking down at his guitar case, and realising what she’s said.

Rush's first photo with Anika Nilles

The new Rush: Lifeson, Anika Nilles and Geddy Lee (Image credit: Richard Sibbald)

“We got to the bottom of the hill and I said, ‘This is fine – we’ll get out here.’ We end up walking the rest of the way in the rain. I was thinking: ‘Oh my God, I’m gonna be a plumber for the rest of my life!’”

Despite all the ups and downs of such a long time together, school friends Lee and Lifeson insist they’ve hardly ever exchanged angry words. “We’ve never had any kind of serious argument about music,” says Lee. “Other shit, yes. Some stupid things.”

He turns to Lifeson. “I remember one time during Grace Under Pressure when I wanted to borrow your car, and you got all pissy with me. I was, like, ‘What the fuck, man?’”

Lifeson: “Really?”

Lee: “Yeah.”

Lifeson [looking genuinely apologetic]: “Oh, sorry, man!”

Maybe there’s more to be told. Prog asks Lifeson: “Geddy’s done his book, Alex – when do you do yours? “Oh, as soon as I learn how to write,” he says cheerfully.

Freelance Online News Contributor

Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band, a band he once managed, and the best-selling Apollo Memories about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving into all things music, can be found travelling along the UK’s vast canal network.

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