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Alex Lifeson: "It's Insane To Suggest I'd Pick A Fight With The Cops"

Rush are run as a partnership, with the three members each taking on separate responsibilities. This applies to the Canadian band’s 30th anniversary concert DVD Rush – R30. So when Classic Rock brings up something beyond Alex Lifeson’s remit – a 1975 clip of Rush performing Fly By Night – the guitarist chuckles in embarrassment: “I might be premature in doing interviews before I’ve watched the entire DVD.”

On the tour, on stage you had vending machines, and roadies emptying washing machines that nestled alongside the amplifiers.

American audiences are great, but British audiences really enjoy the goofing around and have a deeper appreciation of the music. It had been logistically impossible to bring over the whole show, which is partly the problem, but we said that unless it was the full show we wouldn’t do it. That made it more exciting for us, too.

It was a long show for veteran musicians like yourselves.

Pacing was definitely important, giving Geddy some breaks with instrumental songs. And Neil needed a breather after his drum solo. But we stayed in shape and ate well. And above all, it was fun.

We’ve heard that the videos of Exit Stage Left, Grace Under Pressure Tour – 1984, and A Show Of Hands will be remixed in 5.1 stereo, re-mastered and repackaged in a special box, and will also be available as separate DVDs.

I remixed them myself. And it was interesting to go through stuff from when we were skinnier and had more hair. They’ll come out in spurts from the spring onwards.

Geddy recently said the band will write new material during the next six months.

He and I have discussed getting together next week and making a very casual start on a new album. We’re planning to work on small groups of songs at a time, writing them, then recording them and starting again. It’s a different way of working for us. We’d like to finish it by next summer, and hit the road again towards the year’s end.

Do you see it having more guitar solos than the last Rush album, Vapor Trails?

Definitely. I consciously held back on that record because it was such an emotional and delicate one [Neil Peart had suffered family bereavements that put the group’s future in doubt]. I wanted us to link arms and for nobody to show off. Next time I’ll be a lot more elaborate.

Alex Lifeson promoting Power Windows, 1986

Alex Lifeson promoting Power Windows, 1986 (Image credit: Getty Images)

With Opeth, Mastodon, Porcupine Tree and Coheed And Cambria all namechecking either Rush or prog in general, it’s a good time for a band like Rush.

Definitely. Porcupine Tree are a great band and Steven Wilson’s a talented writer and musician. Their music has such great texture. I definitely hear a lot of Rush in a lot of bands coming through right now. It’s a wonderful compliment. And it’s inspiring that people seem to want something more inspiring than verse-chorus-verse-chorus.

It must be interesting to be in a band with someone as iconic as Neil Peart.

He’s just an interesting guy, period. Besides being well-read and knowledgeable, you should try standing in front of him while he plays. He makes those drums sing. The way he hits them and the harmony he generates is quite remarkable.

You must be happy to draw a line in the sand after the events of New Year’s Eve 2003, the fallout from which even threatened Rush’s European tour.

I was determined to fight it to the end because I know what happened that night. The police in Florida can be brutal. At a dinner at the Ritz-Carlton, some guest in a tuxedo gets up on stage and says: “Happy New Year everybody”; there’s no way they should be beaten up and thrown down a flight of stairs. My nose was punched in and broken, I was tazered six times. But I was never going to let them get away with that.

Although their evidence was so flimsy, our lives were dragged through a nightmare for 15 months. I spent $300,000 fighting the thing, but was advised to accept [the plea bargain]. It wasn’t about the money, more exposing the things the police so often get away with.

You don’t seem like the type of guy who’d go looking for a fight.

In 30 years of touring with a rock band, do you have any idea how many times I could have got myself into trouble? I’m a grandfather, a family guy. Had someone spoken politely to us and said: “Sir, would you please get down from the stage”, there would have been no issue. I may be crazy, but I’m not a maniac. Aged 50, and in one of the finest hotels in America – it’s insane to suggest that I would pick some fight with three huge cops.

For more exclusive stories from Alex Lifeson and Geddy Lee then click the link below.

Rush: an epic interview with Geddy Lee and Alex Lifeson

Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’.