"We met somewhere in the crossroads and learned a lot from each other": Rodney Crowell on country royalty, loving Southern rock again and new album Airline Highway
Roots-rock star Rodney Crowell is back with a guest-packed new album
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
Since blazing a country trail through Nashville in the early 70s, firstly as member of Emmylou Harris’s Hot Band and then as a revered solo artist, Texan veteran Rodney Crowell has become roots-rock royalty. His fabulous new record Airline Highway, his twentieth studio album, was recorded in Louisiana with a host of young admirers, among them Lukas Nelson, Ashley McBryde, Larkin Poe, Blackberry Smoke’s Charlie Starr and producer Tyler Bryant.
Why did you record Airline Highway in Louisiana?
I’ve always felt a real connection with the Western Louisiana swamps. When I was growing up on the east side of Houston, we used to drive across the border to hear the Boogie Kings, a bunch of crazy Cajun musicians who played Motown blue-eyed soul. It was funky and down dirty over there. Also, I’ve always had this fascination with humidity and sound.
How did Tyler Bryant shape this album?
Tyler’s a rock’n’roll kid and an electric blues fanatic. But I’m more interested in Lightnin’ Hopkins, that school of acoustic blues. So we met somewhere in the crossroads and learned a lot from each other. He does an incredible solo at the end of Taking Flight. Afterwards, I told him: “Y’know, since the Allman Brothers, I thought southern rock was all kind of derivative. But you’ve revived my interest.”
There’s a great line in Sometime Thang: ‘She’s a wildwood flower in a red Corvette, Tanya Tucker meets Cate Blanchett’. Where did that come from?
Ha! It just came to me one day and I thought: “Fuck me, that’s a good one!” The song is actually kind of a true story. Many years ago, when I first got together with my wife Claudia [Church, fellow singer-songwriter], a famous actor was trying to make a move [on her] during a gig in Texas. Of course, I was jealous, but I got the idea for the song watching him work her. I won’t say who it was, but he’s a Texas boy. It wasn’t Matthew McConaughey, but maybe that ought to be part of the mythology.
Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!
Willie Nelson recently released an album of your songs, titled Oh What A Beautiful World. How did that come about?
I got a message that Willie wanted to do it. His producer said: “Send me twenty-five songs and we’ll take it from there. Think Willie.” It was easy, because in 1965 I was walking in Houston, listening to my transistor radio, and heard Willie’s I Never Cared For You - [sings] ‘The sun is filled with ice and gives no warmth at all’. It altered my sensibilities. Shortly after that I heard [Bob Dylan’s] Subterranean Homesick Blues, then later Merle Haggard’s Sing Me Back Home. I’d first heard [Johnny Cash’s] I Walk The Line at six years old. Those songs changed my life. I do what I do now because of how they affected me back then.
How did you deal with that inner fanboy as Johnny Cash’s son-in-law [Crowell was once married to Rosanne Cash] and recording partner?
Early on I chose bluster as a way to hide my fandom and insecurity. Subconsciously or not, I was trying to establish with him: “I know you’re the man in black, but I’m my own man. I deserve respect”. And it was the right thing to do, because as John and I became close I realised that he was sort of charmed by that. It certainly made him chuckle a lot.
Airline Highway is out now via New West Records.
Freelance writer for Classic Rock since 2008, and sister title Prog since its inception in 2009. Regular contributor to Uncut magazine for over 20 years. Other clients include Word magazine, Record Collector, The Guardian, Sunday Times, The Telegraph and When Saturday Comes. Alongside Marc Riley, co-presenter of long-running A-Z Of David Bowie podcast. Also appears twice a week on Riley’s BBC6 radio show, rifling through old copies of the NME and Melody Maker in the Parallel Universe slot. Designed Aston Villa’s kit during a previous life as a sportswear designer. Geezer Butler told him he loved the all-black away strip.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.

