“My friends wanted to check out, get stoned, escape. I wanted to sift through my consciousness and see what was beyond”: Psychedelic substances led Rival Sons’ Jay Buchanan to the Mahavishnu Orchestra
The vocalist found inspiration in John McLaughlin’s ability to make different pieces feeling like different drugs
Rival Sons vocalist Jay Buchanan believes the Mahavishnu Orchestra aren't everyday listening – but he and bandmate Scott Holiday still find inspiration in John McLaughlin’s confidence and ambition.
“When I was 18 or 19, I was all hopped up on Eastern mysticism, philosophy and beat poetry. I sold everything and backpacked through Alaska, living like a vagabond and eating in soup kitchens and churches.
Then I moved to Huntington Beach, Orange County. I was 21 and I’d crossed the teenage threshold of, ‘Who am I? Where do I fit in?’ and I was more interested in expanding my reality, with psychedelics.
Many of my friends were experimenting, but only to dumb the experience down – to check out, get stoned, escape. I wanted to sift through the trash of my consciousness and see what was beyond.
I was interfacing with people who weren’t like me and getting into a lot of different music. Hungry for knowledge, I heard Mahavishnu Orchestra. John McLaughlin had played with Miles Davis and Tony Williams; some heavy people!
Now he was with four or five other people, nerds and jazzers. They were calling themselves an orchestra, and took the name Mahavishnu, a god with great power. That’s confidence.
I think it’s pretty clear that Mahavishnu Orchestra became a building block for prog. What they were doing was very ambitious, post-jazz, no pop formula – everything going in all directions, compared to the more pedestrian acts.
Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox!
Records like The Inner Mounting Flame have different movements that feel like being on mescalin, acid or psilocybin – or, for some people, being completely sober. Mark II, a completely different band, appeared in 1974 with Apocalypse, working with George Martin and the London Symphony Orchestra.
Mahavishnu records are not for everyday listening, but now and again Scott Holiday and I will dig out a track out depending on our mood – John definitely influenced Scott’s guitar playing.
On the Rival Sons record Darkfighter there’s a magnum opus, Darkside, that’s like our Meeting Of The Spirits. It takes me back to being a young man wanting to expand my consciousness. I think the Mahavishnus were young men trying to do the same thing in their own way.”
Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.

