"An all-you-can-eat barbecue that looks delicious at the start but turns into an indistinguishable mush by the end": Blackberry Smoke overcook the recipe on Rattle, Ramble & Roll - The Best Of Volume One

Southern rock flagbearers Blackberry Smoke serve up an overstuffed career-spanning compilation

Blackberry Smoke group portrait
(Image: © Andy Sapp)

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Southern rock will never die. As long as humanity clings to this scorched, dying rock spinning hopelessly in space, there’ll be a bunch of dudes in cowboy hats choogling away like it's 1972. Blackberry Smoke are proof of its unswerving durability.

These Atlanta, Georgia gentlemen have been upholding southern rock’s bellbottomed traditions since 2001 – as far away from today as that was from the plane crash that did for Ronnie Van Zant. Over that time, trends have come and gone several times over, none of which have registered in the slightest on them

Blackberry Smoke - Azalea (Official Music Video) - YouTube Blackberry Smoke - Azalea (Official Music Video) - YouTube
Watch On

Rattle, Ramble & Roll is an old-school ‘best of’ album stretched out over a new school 22 tracks – their dusty southern hearts might lie in the seventies but their sensibilities are squarely in the era of the Spotify Playlist, albeit a Spotify Playlist that requires parting with cold, hard cash to own a physical copy of.

Musically, Blackberry Smoke do what Blackberry Smoke do – Lynyrd Skynyrd without the aggro, Black Crowes without the noodling. But their directness is their strength. Payback’s A Bitch, Prayer For The Little Man and the stellar Ain’t Much Left Of Me (one of six tracks here from 2012’s career-high The Whippoorwill) pack a hard-rock punch. And they can magic up a sense of place like few other bands – the wistful Azalea sways like a cornfield in a breeze and the sun-baked The Whippoorwill itself is quietly cinematic in the way it evokes endless southern summer days.

Even so, an hour and 25 minutes of this stuff is a bit much, an all-you-can-eat barbecue that looks delicious at the start but has turned into an indistinguishable mush by the end. Certainly no one needed to be reminded of the joyless boogie of 2015’s Rock And Roll Again, or be subjected to a risible live version of Little Richard’s Southern Child (‘Lawdy, lawdy, lawdy’ indeed). That ‘Volume One’ postscript looks more like a threat than a promise.

Still, one person’s indistinguishable mush is another’s shit-kickin’ southern rock party. The band have made it this far on their own terms, and they’re not going to bow to other people’s opinions at this stage. The world keeps spinning, Blackberry Smoke keep choogling.

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.