
James McNair
James McNair grew up in East Kilbride, Scotland, lived and worked in London for 30 years, and now resides in Whitley Bay, where life is less glamorous, but also cheaper and more breathable. He has written for Classic Rock, Prog, Mojo, Q, Planet Rock, The Independent, The Idler, The Times, and The Telegraph, among other outlets. His first foray into print was a review of Yum Yum Thai restaurant in Stoke Newington, and in many ways it’s been downhill ever since. His favourite Prog bands are Focus and Pavlov’s Dog and he only ever sits down to write atop a Persian rug gifted to him by a former ELP roadie.
Latest articles by James McNair

“Rick Wakeman-like piano flair and an agile, crystalline voice”: Renaissance’s Running Hard
By James McNair published
Clamshell set illustrates a wondrous purple patch of symphonic prog-folk from Annie Haslam and co

“There’s no denying its compositional prowess”: Greenslade’s Large Afternoon Expanded
By James McNair published
Fruits of their short-lived new-millennium reunion provides nostalgia and commentary, with live tracks containing more meat and punch

Are the touching tales of Jethro Tull’s Minstrel In The Gallery really just fiction?
By James McNair published
Ian Anderson reflects on giving Roy Harper his movie break, aggressively defending Dee Palmer from paparazzi intrusion, losing bassist Jeffrey Hammond, planning to quit touring – and the quiet couple of weeks he spent recording Tull’s masterful 1975 album

Pentangle’s The Albums: 1968-1972: a lavish celebration of folk’s first supergroup
By James McNair published
Box set featuring their first six records is enhanced with out-takes, live tracks and solo material by Bert Jansch and John Renbourn

Neal Morse’s supergroup Cosmic Cathedral reassert their beliefs on debut album Deep Water
By James McNair published
Former Spock’s Beard man with Chester Thompson, Phil Keaggy and Byron House offer strong virtuosic music – although preaching and genre-hopping may alienate some

Ian Anderson: Jethro Tull’s one-legged hammy past and their potential stripped-down future
By James McNair published
Latest Jethro Tull album Curious Ruminant has Ian Anderson reflecting on his hammy stage performances of the past, working with William Shatner and Mikael Åkerfeldt, and how the band could have a back-to-basics future

“An evening in with the lava lamp beckons”: Middle Earth Club 3CD set
By James McNair published
Middle Earth: The Soundtrack Of London’s Legendary Psychedelic Club features David Bowie, Family Brian Auger, Denny Laine, Yardbirds, Deviants, The Who and more

It’s great to have Alex Lifeson using Rush colours again on Envy Of None’s Stygian Wavz
By James McNair published
Envy of None’s second album Stygian Wavz proves Alex Lifeson was right to work with other artists - might it make Geddy Lee consider doing the same?

When Balaam And The Angel tried to emulate ELP, it didn’t go well
By James McNair published
Spectacular live disaster hasn’t killed guitarist Jim Morris’ passion for Pictures At An Exhibition

The prog credentials of Sufjan Stevens’ The Age Of Adz
By James McNair published
After a long illness and the admission that his promise of writing an album about each State of the US had been a gimmick, he wobbled then reset with 2010 album that’s a prog-tinged curio

"Ahead of the art-rock curve": Bill Nelson’s Quit Dreaming And Get On The Beam Deluxe Box Set
By James McNair published
Ex-Be Bop Deluxe leader’s 1981 solo release is greatly expanded to impressive effect

Ex-Thin Lizzy guitarist Brian ‘Robbo’ Robertson’s wild tales of Phil Lynott, Lemmy, David Bowie and more
By James McNair published
Phil Lynott, Lemmy, Rush, Alex ‘Hurricane’ Higgins – former Thin Lizzy/Motörhead guitarist Brian Robertson crossed paths with them all and has the hangovers to prove it

“There are two experiences on offer here”: Curved Air’s Rarities Series box set
By James McNair published
Six out-of-print discs span decades, with offerings for completists alongside a particularly pleasing 1972 live performance

The prog credentials of Luke Haines’ 9 1/2 Psychedelic Meditations On British Wrestling
By James McNair published
The former Auteurs mastermind went further off-piste than ever with his 2011 album, which only runs to 30 minutes but delivers a real experience

“A showcase for wondrous mandolin and banjo… and the majesty and clarity of Maddy Prior’s voice”: Steeleye Span’s 50th anniversary edition of Now We Are Six
By James McNair published
“A showcase for mandolin, banjo and Maddy Prior”: Steeleye Span’s Now We Are Six, 2024 edition

"I can't believe all these people are buying a single about death!": Inspired by Edgar Allan Poe, Lindisfarne's Lady Eleanor was written during an overnight shift in a psychiatric ward
By James McNair published
Inspired by Edgar Allan Poe, Lindisfarne's Lady Eleanor was written in a psychiatric ward

Triumph were on the cusp of superstardom – then they let it all go
By James McNair published
By the end of the 70s Triumph were living up to their name. Then came the falling-out, the split, and 20 years of toxicity before they shared a stage again

“With one eye on MTV and another on film soundtracks, big choruses with star-turn assists are go”: Steve Hackett’s Feedback ’86 and Till We Have Faces vinyl remasters
By James McNair published
Steve Hackett’s Feedback ’86 and Till We Have Faces vinyl remasters share some DNA

How Gun survived Spanish crowds, an X-rated video and that "strange cookie" from INXS
By James McNair published
Gun's debut album Taking On The World was a killer, and with new album Hombres their aim is once again true

White Willow’s Ex Tenebris puts their roots on display
By James McNair published
Remaster of their 1997 second album – which began life as a Jacob Holm-Lupo solo work – includes vinyl edition for the first time

"Somebody has to be the kind of songwriter who doesn’t give a shit if he gets called pretentious." Ian Anderson on the inspiration behind Jethro Tull's RökFlöte
By James McNair published
After a gap of more than 20 years, Jethro Tull returned with their second album of new material this decade. RökFlöte finds the band exploring Norse mythology with a harder edge than last year’s The Zealot Gene

Hey Joe, where you going with my cod & chips? Unravelling the truth behind Jimi Hendrix's historic visit to a fish & chip shop in the north of England
By James McNair published
In March 1967, Jimi Hendrix played a club show in Newcastle before venturing to the seaside for fish & chips, perhaps a pickled egg. Or did he?

“I’d never attempted to write a whole record on my own. I wasn’t feeling confident. I was concerned I might end up with a load of outtakes and waste the money”: How Steve Hackett made Voyage Of The Acolyte
By James McNair published
Missing his pal Peter Gabriel and sensing more change in the air with Genesis, the guitarist overcame his confidence issues to become the first member to release a solo album

“Dizzyingly diverse, full of invention and humanity… if only more bands were willing to take such risks”: Elbow’s Audio Vertigo
By James McNair published
Guy Garvey and his band of brothers dream harder, ensuring their 10th LP is special

“I’m doing that thing that many may find tasteless but hopefully at least some may find thrilling… it’s not about control – it’s pure animal!” Why Steve Hackett ramped up the guitar attack on The Circus And The Nightwhale
By James McNair published
On his 30th solo album, he decided to address a wide range of personal issues he’d wanted to tackle for years – taking in influence from The Hero With A Thousand Faces, The Odyssey and Pinocchio
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