
Ian Winwood
Barnsley-born author and writer Ian Winwood contributes to The Telegraph, The Times, Alternative Press and Times Radio, and has written for Kerrang!, NME, Mojo, Q and Revolver, among others. His favourite albums are Elvis Costello's King Of America and Motorhead's No Sleep 'Til Hammersmith. His favourite books are Thomas Pynchon's Vineland and Paul Auster's Mr Vertigo. His own latest book, Bodies: Life and Death in Music, is out now on Faber & Faber and is described as "genuinely eye-popping" by The Guardian, "electrifying" by Kerrang! and "an essential read" by Classic Rock. He lives in Camden Town.
Latest articles by Ian Winwood

A classic audience with Lemmy, rock’n’roll’s greatest warrior
By Ian Winwood published
Motorhead kept the rock’n’roll flag flying well into their fourth decade with 2006’s Kiss Of Death

The Elvis Costello albums you should definitely listen to
By Ian Winwood published
Over the course of 32 studio albums, Elvis Costello has explored terrains that include country music, jazz, soundtrack work and even opera

"Alcohol is a depressant, so I got depressed": A poignant interview with the late Chris Cornell
By Ian Winwood published
Classic Rock's final interview with Chris Cornell

"I don't like the production of that record. I don't like how it sounds. I don't like how it looks": Soundgarden look back at their breakthrough album Superunknown
By Ian Winwood published
Grunge‘s founding fathers, Soundgarden watched the bands they inspired shoot past them. But with their mighty fourth album, Superunknown, they would help define the 1990s

“10 years ago no one in the US would bought an album by an Italian metal band. The idea doesn’t seem so strange now”: how Lacuna Coil served up a 2000s classic with Karmacode and went global in the process
By Ian Winwood published
In this classic interview from the Metal Hammer archive, Lacunca Coil look back on how they became Italy’s biggest ever metal band

“The teacher’s hatred of my guitar probably goes a long way to explaining why I persevered with it”: How Genesis’ Mike Rutherford survived boarding school
By Ian Winwood published
His early days were full of challenges, but he had the unwavering support of his dad

Avenged Sevenfold's first ever show at Madison Square Garden is a mixed bag for a band with such lofty ambitions
By Ian Winwood published
Dodgy sound, strange lighting choices and a misfired attempt to integrate their new music undermines an otherwise solid showing at the world's most famous arena

20 bands whose second album is the best thing they ever did
By Classic Rock published
The bands who defied the sophomore slump to deliver the greatest albums of their career

The enduring power of guitars, drums and desperate poetry: Frank Turner lights up New York City
By Ian Winwood published
The Frank Turner & The Sleeping Souls / The Interrupters co-headline tour hits NYC. There was only ever going to be one winner

Randy are the greatest rock 'n' roll group you've never heard. But you can change that right now
By Ian Winwood published
The music business, like life, isn't just and fair. If it was, Randy would be bigger than Jesus

Time For Livin': How Check Your Head brought Beastie Boys back from the dead
By Ian Winwood published
Released on April 21, 1992, the kaleidoscopic, irreverent Check Your Head saw the Beastie Boys tap into their punk roots, silence haters and become kings of their own ultra-cool universe

Enter Shikari's A Kiss For The Whole World: the electrifying, genre-smashing sound of the future
By Ian Winwood published
St. Albans quartet stake their claim as one of the 21st century's greatest bands with their finest work yet

The story behind The Offspring's Smash: How a school janitor, a college nerd, a $5000 video and 11 million album sales turned the music industry upside down
By Ian Winwood published
Released on April 8, 1994, The Offspring's third studio album is the biggest-selling rock album ever released by an indie label. Here's how Dexter Holland, Noodles and co. Smash-ed it

"In Minor Threat we had zero expectations... it was an after-school activity": why punk rock guitar hero Brian Baker is down for life
By Ian Winwood published
From Minor Threat and Dag Nasty in the '80s to Bad Religion and Fake Names now, Brian Baker's faith in the power of punk rock remains unwavering

Fake Names' Expendables: members of Refused, Bad Religion, Fugazi and Girls Against Boys unite for a righteous racket
By Ian Winwood published
Fake Names' second album is punk rock nirvana from scene lifers who still value, and believe in, the power of three chords and the truth

Why a gig featuring no hit songs whatsoever is heaven for Elvis Costello super-fans
By Ian Winwood published
On the eve of Valentine's Day, Elvis Costello feels the love at New York's Gramercy Theatre

Fat Mike won't bullshit you on why he's killing off NOFX: "I don't enjoy it like I used to... I don’t need to be onstage hearing people applaud"
By Ian Winwood published
NOFX's Fat Mike is breaking up his band after 40 years, but he's not walking away from punk rock. He tells Ian Winwood why

Every Arctic Monkeys album ranked from worst to best
By Ian Winwood last updated
The seven studio sets from Sheffield's stadium-rocking superstars rated and ranked

Sex workers, solitude, suicide: How The Police spun black thoughts into platinum hits on Outlandos d’Amour
By Ian Winwood published
Released on November 2, 1978, The Police's debut album Outlandos d’Amour helped pushed 'new wave' past punk rock and into the mainstream

"It was ugliness personified": How anarchy, acrimony and apathy killed the Sex Pistols just 78 days after the release of Never Mind The Bollocks
By Ian Winwood published
Never Mind The Bollocks, Here’s The Sex Pistols was released on October 28, 1977. Just 78 days later, the band who gave us that thrilling debut was finished. "All of us had been cheated," says John Lydon

"We are the rock Muhammad Ali”: how punchy Swedes The Hives delivered a knockout with Your New Favourite Band
By Ian Winwood last updated
As it turns 21, here's how Your New Favourite Band made Swedish garage punks The Hives genuine contenders

Scott Gorham: Ballad Of A Hard Man
By Ian Winwood last updated
When Scott Gorham joined Thin Lizzy in 1974 it opened up a world of opportunity – and regret: the joys of playing with Phil Lynott were tempered by a hunger for heroin
Get the Louder Newsletter
Select the newsletters you’d like to receive. Then, add your email to sign up.