Rose Tattoo: Rose Tattoo/Assault And Battery/Scarred For Life/Southern Stars

Australian rockers who had plenty of grunt but not enough staying power.

Rose Tattoo Scarred For Life album cover

Why you can trust Louder Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

On the cover of 1982’s Rose Tattoo’s Scarred For Life (610), the five members of the band are staring at the camera with looks that seem to ask: “Did you spill my pint?” This, really, is all you need to know regarding the songs that comprise the Sydney group’s first four albums, now reissued.

At their best, Rose Tattoo’s sound crackles with an electricity redolent of dangerous bogan bars in dusty Australian suburbs; places where the threat of violence is never far from the surface and only the toughest of cookies will make it out unscratched.

When the group mine this groove, as they do on their most famous song, Nice Boys, it’s easy to appreciate the influence they had on bands such as Guns N’ Roses. The trouble, really, is that Rose Tattoo lacked the artistic vision to progress from this febrile starting point. Come 1984’s Southern Stars (410), the group’s routine had become just that, and, worse still, had begun to sound even a little reactionary, as best evinced by The Radio Said Rock’n’Roll Is Dead.

Although the group eventually ran out of steam, the energy and almost homicidal conviction running riot through the earliest part of their career is something to behold, even when translated to sketchily recorded albums now two generations old. Here Rose Tattoo are a force of nature, and a powerful one at that.

Ian Winwood
Freelance Writer

Barnsley-born author and writer Ian Winwood contributes to The Telegraph, The Times, Alternative Press and Times Radio, and has written for Kerrang!, NME, Mojo, Q and Revolver, among others. His favourite albums are Elvis Costello's King Of America and Motorhead's No Sleep 'Til Hammersmith. His favourite books are Thomas Pynchon's Vineland and Paul Auster's Mr Vertigo. His own latest book, Bodies: Life and Death in Music, is out now on Faber & Faber and is described as "genuinely eye-popping" by The Guardian, "electrifying" by Kerrang! and "an essential read" by Classic Rock. He lives in Camden Town.