
Dave Everley
Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.
Latest articles by Dave Everley

"I’ve gone back to a more progressive style." Steven Wilson will release new album The Overview in March
By Dave Everley published
Steven Wilson's The Overview, a concept album featuring two long-form pieces of music, will be released on March 14

The 50 Best Rock Albums of 2024
By Classic Rock Magazine published
A-listers, established artists, up-and-comers, previously unknowns and more

“Neither as lightweight nor cheesy as some say: Jethro Tull’s Fresh Snow At Christmas
By Dave Everley published
Box set edition of 2003 release proves that, even though it was viewed as a curio, it’s in line with Ian Anderson’s regular musical explorations

Phil Collins: “I don’t have many rock’n’roll stories; that was always someone else’s job”
By Dave Everley published
He may not always have been life and soul of the party, but he’s been the heartbeat behind songs across a huge range of genres – to his lasting pride

“Time has reframed it as a pivotal album”: Marillion’s This Strange Engine Deluxe Edition
By Dave Everley published
Marking an and and a beginning for the band, this extended version of the 1997 original states its case as an elegant outlier in their catalogue

Crippled Black Phoenix revisit the past on The Wolf Changes Its Fur But Not Its Nature
By Dave Everley published
The 20th album from Underground linchpins Crippled Black Phoenix comes with a second disc of covers

Jakko Jakszyk: “Had my mother not had me adopted, would I have ended up in King Crimson?”
By Dave Everley published
The amateur impressionist on finding his birth mother then closing communications with her, Stiff Records’ plans to make him a star, and saying the “stupidest thing” to Michael Jackson

Opeth return to extremity on the inventive The Last Will And Testament
By Dave Everley published
Succession meets Edgar Allan Poe on prog metal kingpins Opeth's fascinating fourteenth album

How Meer fought back from a disastrous start to deliver third album Wheels Within Wheels
By Dave Everley published
Norwegians didn’t make things easy for themselves by forming as an octet, while one member tried to avoid their natural musical tendencies; but thanks to the European prog community they’re riding high at last

How Powerslave shaped modern metal
By Dave Everley published
Forget Number Of The Beast - these bands say Powerslave is Iron Maiden's greatest achievement

Tuk Smith wants to return us to a world shaped by weirdos and mavericks, not algorithms
By Dave Everley published
Recording almost everything on his latest album himself and putting it out on his own label, Tuk Smith followed the adage that if you want something doing properly, do it yourself

“Everything has to come to an end”: The triumphant story of Black Sabbath’s last ever tour
By Dave Everley published
In 2016, Black Sabbath’s The End tour reached Australia – and after a tumultuous career, the were finally ready to take their final bow

How Powerslave cemented Iron Maiden as the biggest metal band on the planet in 1984
By Dave Everley published
Is fencing better than karate? Was the world about to end? How many frozen daiquiries can you have and still pull off an epic solo? Maiden were answering all the important questions when they made Powerslave

Sólstafir’s Hin Helga Kvöl shifts from sonic aggression to oddly comforting
By Dave Everley published
Eighth album of challenging and mesmerising atmospherics from Iceland’s gnarliest post-rock band.

Meet Bobbie Dazzle, the catsuit-wearing singer reinventing glam rock for a modern audience
By Dave Everley published
Bobbie Dazzle is the West Midlands singer bringing back the upbeat music, fun and fashion of the 70s

After half a century of Yes music, Jon Anderson talks about everything, from football to fairies
By Dave Everley published
Fronting Yes he was one of the architects of prog rock, and now he fronts his own band. But that’s only part of his wondrous story

“We recorded it in 20 minutes”: Paul Di’Anno looks back on making Iron Maiden’s Running Free
By Dave Everley published
Paul Di’Anno sang on Iron Maiden’s classic debut single Running Free – speaking to Metal Hammer earlier this year, this is what he remembered about making it

Devin Townsend conjures up unexpected greatness on PowerNerd
By Dave Everley published
Canadian maverick Devin Townsend releases his most straightforward album in years

Queen plunder the archive for Queen I, a lavish 50th anniversary celebration of their debut album
By Dave Everley published
Regal reissue of overlooked debut album, now with previously unreleased material

"He’s got his gas mask on, he’s all taped up and he’s flying like a bird." Inside the chaos and carnage of Slipknot's legendary first UK show at the London Astoria
By Dave Everley published
Slipknot's chaotic, infamous headline show at London's Astoria on December 13 1999 cemented their status as metal's next superstars

Michael Schenker on UFO, success and escape, and why he didn't join the Rolling Stones
By Dave Everley published
With guests including Axl and Slash, for his new album maverick guitarist Michael Schenker went back to the songs he recorded first with UFO

Two life stories intertwine in Jakko M Jakszyk’s memoir Who’s The Boy With The Lovely Hair?
By Dave Everley published
His colourful life and remarkable times feature Sir Richard Attenborough, The Nolan Sisters, Ruud Gullit, Michael Jackson (and Morris Minor And The Majors’ Stutter Rap)

“More than just music – it’s part of your DNA”: What The Beatles’ Sgt Pepper did for prog
By Dave Everley published
Rick Wakeman, Roger Waters and Robert Fripp were among those listening when the BBC played the record in full in 1967 – and weren’t the only ones who experienced artistic epiphanies that night
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