
Classic Rock Magazine
Classic Rock is the online home of the world's best rock'n'roll magazine. We bring you breaking news, exclusive interviews and behind-the-scenes features, as well as unrivalled access to the biggest names in rock music; from Led Zeppelin to Deep Purple, Guns N’ Roses to the Rolling Stones, AC/DC to the Sex Pistols, and everything in between. Our expert writers bring you the very best on established and emerging bands plus everything you need to know about the mightiest new music releases.
Latest articles by Classic Rock Magazine

Album Of The Week Club review: Broken Barricades by Procol Harum
By Classic Rock Magazine published
1971’s Broken Barricades was Procol Harum's last with guitarist Robin Trower. Despite – or perhaps because of - this, it’s one of their most guitar-led

Album Of The Week Club review: A Space In Time by Ten Years After
By Classic Rock Magazine published
The first standalone album on the Chrysalis label, A Space In Time contained Ten Years After's only transatlantic hit, I’d Love To Change The World

Album Of The Week Club review: Calling All Stations by Genesis
By Classic Rock Magazine published
Facing a future without Phil Collins, the remaining men of Genesis turned to that fella from Stiltskin

Album Of The Week Club review: the Allman Brothers Band's Seven Turns
By Classic Rock Magazine published
With Tom Dowd producing, Gregg Allman in fine voice and new guitarist Warren Haynes on board, the Brothers returned after a decade away with Seven Turns

Album Of The Week Club review: Smashing Pumpkins' Adore
By Classic Rock Magazine published
After Mellon Collie and the Infinite Sadness there was nowhere to go but up for Smashing Pumpkins: Then bad things began to happen

Album Of The Week Club review: Melissa Etheridge mixes it up on Brave And Crazy
By Classic Rock Magazine published
The comparisons with Bruce Springsteen might be merited, but Melissa Etheridge's second album saw her making a name for herself

"This has to be the album against which every rock album that followed should be measured": Led Zeppelin attain peak Led Zeppelin status on Led Zeppelin IV
By Classic Rock Magazine published
Of all their records, Led Zeppelin’s fourth album, released in late 1971, remains their most admired work

"A charcuterie board of delightful music, with all sorts of flavours, textures and surprises": Steve Harley & Cockney Rebel keep it leisurely on Timeless Flight
By Classic Rock Magazine published
Timeless Flight: The Steve Harley album that followed the one with the big hit on it

"It's so mid-eighties I can see Molly Ringwald and the rest of the brat pack dancing in a bedroom in my mind's eye": Mr. Mister master the period cliches on Welcome To The Real World
By Classic Rock Magazine published
Mr. Mister released four slickly produced albums. Three bombed. Welcome To The Real World certainly didn't

"A frustrating album for me because every brilliant detail seems to be matched by something I don't like": Déjà Vu by Crosby, Stills, Nash & Young
By Classic Rock Magazine published
Crosby, Stills, Nash & Young may have harmonised beautifully on Déjà Vu, but they avoided each other while recording it

"Marc Bolan sounds supercharged and in control of barely keeping it in control": T. Rex confound the critics on Zinc Alloy And The Hidden Riders Of Tomorrow
By Classic Rock Magazine published
In which Marc Bolan adds some R&B to T. Rex's glam template and opinions have been divided ever since

"Epitomising the blend of prog-rock chops, pop sensibility and Zappa-influenced weirdness that was Max's secret formula": Max Webster's High Class In Borrowed Shoes
By Classic Rock Magazine published
High Class In Borrowed Shoes is the second album by extravagantly dressed Canadian rock eccentrics and Rush buddies Max Webster

"One of the last genuine bluesmen out there – he is a legend and should be revered as such": Strong Persuader by Robert Cray - Album Of The Week Club review
By Classic Rock Magazine published
Robert Cray's 1986 album Strong Persuader album took blues to the masses and sold more than two million copies in the US

"As many recycled Led Zeppelin riffs as Kingdom Come or '80s Whitesnake with an even stronger whiff of cheese": Emotions In Motion by Billy Squier - Album Of The Week Club review
By Classic Rock Magazine published
Buoyed by the success of breakthrough album Don’t Say No, Billy Squier teamed up once again with Queen producer Reinhold Mack to create 10 tracks of state of the art, radio-friendly pop rock

"Bonzo was a dear friend of mine, and I think we might've been listening to a little Led Zeppelin": Deep Purple's track-by-track guide to Burn
By Classic Rock Magazine published
David Coverdale, Glenn Hughes and Ian Paice reveal the secrets of Burn, Deep Purple's first album with the Mark III line-up

"Imagine, if you will, a long-lost UFO concept album about a seance gone awry": The Unexpected Guest by Demon - Album Of The Week Club review
By Classic Rock Magazine published
The NWOBHM was a broad church, and Demon's second album The Unexpected Guest was more melodic than most

"Like a heavier Styx or a lighter Uriah Heep, but dressed like the Bee Gees": Angel by Angel - Album Of The Week Club review
By Classic Rock Magazine published
Discovered by Gene Simmons and sold as a more wholesome alternative to Kiss, Angel's stage show was equally theatrical, but their music was a mix of pomp and prog

"The copycat jibes thrown in Kingdom Come's direction by the music press and Gary Moore were certainly not without merit": Kingdom Come by Kingdom Come
By Classic Rock Magazine published
Released at the height of hair metal, Kingdom Come's debut album made waves for its startling resemblance to Led Zeppelin

"There is a compelling argument that with Goodnight L.A. Magnum temporarily lost their identity and became something they were not": Goodnight L.A. by Magnum
By Classic Rock Magazine published
Goodnight L.A. was meant to be Magnum’s big chance to break America, but eventually wasn't released there at all

"Bella Donna had the formula for success: a singer from huge band, a top-notch producer, and a who's who of musicians": Bella Donna by Stevie Nicks
By Classic Rock Magazine published
Featuring stellar duets with Tom Petty and Don Henley, Bella Donna established Stevie Nicks as a star in her own right, away from the Fleetwood Mac soap opera

"Neither particularly good or particularly bad. It's just bang average": Freedom At Point Zero by Jefferson Starship
By Classic Rock Magazine published
Grace Slick and Marty Balin were gone but Jefferson Airplane had Jane, an AOR landmark, and riffs from Craig Chaquico that would guide the band into the gleaming 80s

Jimi Hendrix's London: an interactive map
By Fraser Lewry published
Hotels, hangouts, crash pads, recording studios, sweaty gigs, swanky nightclubs… and where it all ended in tragedy: Jimi Hendrix was here

"These are hard-livin', whiskey-drinkin', gun-totin' Southerners who eat grits for breakfast, fried beans for lunch, and an entire raw buffalo for their dinner": Flirtin' With Disaster by Molly Hatchet
By Classic Rock Magazine published
The double-platinum Flirtin' With Disaster was the second album from the triple-guitar southern rock band from Jacksonville who weren't Lynyrd Skynyrd

"Full of memorable songs, hooks, vocals, instrumentation; a complete package": Harder... Faster by April Wine - Album Of The Week Club review
By Classic Rock Magazine published
Harder... Faster was the eighth studio album by Canuck rockers April Wine, and spent the best part of a year on the US album chart

"Undeniably brilliant but unlistenable": Pawn Hearts by Van der Graaf Generator - Album Of The Week Club review
By Classic Rock Magazine published
Van der Graaf Generator's fourth album Pawn Hearts sums up all that is glorious and bewildering about the band: unconventional vocals, confrontational music, and the unruly spectre of jazz
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