Classic Rock Magazine

Before all that hairspray, David Coverdale created Whitesnake as a blues-based hard rock band in the classic tradition – and this live album was their greatest moment

As far as swansongs go, Thunder And Lightning crackles with undeniable zeal and energy, with new guitarist John Sykes helping to create what is Thin Lizzy's heaviest album.

Robbie Robertson hooked up with producer Daniel Lanois for his debut solo album, conjuring up a fashionably atmospheric twist to his ongoing fascination with American culture

Criticised for being exemplars of the beige stodge-rock that followed grunge, Creed sold albums by the million. We try and figure out why

Brice Dickinson ventures out of his Iron Maiden-shaped comfort zone for debut solo album Tattooed Millionaire

High Voltage was the album that introduced AC/DC to the world beyond Australia, but it was not met with universal acclaim, as readers of Rolling Stone will attest

When Metallica tried to follow The Black Album, the results were mixed. Then the leftovers arrived

Live At The Greek wasn't quite what it should have been due to contractual obligations, but it was the most animated Jimmy Page had sounded in years

Kansas's follow-up to the massively successful Leftoverture was Point Of Know Return, a slice of intuitively melodic rock that spawned a huge hit single, the emotive Dust In The Wind

The live album of Joe Cocker and Leon Russell's shambolic, chaotic, sex-fuelled, Mad Dogs & Englishmen rock’n’roll circus

Beneath the wilfully grubby production, Nirvana's debut album Bleach seethes with confidence, intelligence, star quality and pop sensibility

One side of classic rock bangers, one of R&B originals: the two sides of Tina Turner fight it out on 1975 solo album The Acid Queen

A Date With Elvis continued The Cramps' fascination with lust, obsession, and the darker side of rock'n'roll culture

Rocks: Aerosmith's fourth album was sleazier than a Boston back alley and sharper than a hypodermic needle. Or was it?

Your reviews of Toto XIV, or, as it's otherwise known, Toto's contractual obligation album

The self-titled Anderson Bruford Wakeman Howe is the album from the version of Yes that wasn’t technically Yes at all

"I wanted to make a 2D rock record. I wanted something that chuntered happily along" - Sisters Of Mercy mainman Andrew Eldritch on 1990's Vision Thing