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Uriah Heep - Uriah Heep Live album review

Double-live classic now back on vinyl

Cover art for Uriah Heep - Uriah Heep Live album

In the 70s, double live albums were de rigueur for any self-respecting rock band with high aspirations. Deep Purple, Thin Lizzy, UFO, Kiss… they all released them, and they were soon acclaimed as classics. But Uriah Heep Live is almost always overlooked. Maybe that says a lot about the way the band are regarded, because in every sense this record is a masterpiece.

Recorded on The Magician’s Birthday tour, it represents this line-up at their peak. Everything here is beautifully represented, from the choice of tracks to the packaging. Musically, it is breathtaking, with the likes of Sweet Lorraine, Easy Livin’, Gypsy and Magician’s Birthday utterly compelling. David Byron shows why he was one of the great frontmen of the era, while guitarist Mick Box and keyboard player Ken Hensley are virtuosos, yet work well in the fabric of the band.

Even the slightly misguided Rock ‘N Roll Medley can now be seen as an affectionate nod to those 50s artists and songs that first inspired the Heep guys, from Roll Over Beethoven to Hound Dog and Blue Suede Shoes. In 1973, this seemed a little questionable, but the passage of time makes you realise the medley does fit neatly into the swing of things.

Thankfully, this reissue also comes with a reprint of the 10-page colour booklet that was included in the original album. Thereby ensuring you get the full impact of the lavish way in which this was presented.

On all fronts, this is a great live album, now brilliantly restored. A fitting tribute to a fine band.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.