You can trust Louder
As they approach their 20th anniversary in 2017, The Dillinger Escape Plan, New Jersey’s masters of mind-mincing mathcore, are shunning the usual self-congratulatory nostalgia route by going on an “extended hiatus”. It’s a typically abstruse move from a band who have steadfastly refused to toe the line from day one. And new album Dissociation’s frequently bewildering contents seem a very fitting way to bow out.
The band’s sonic bedrock of scattershot and insanely nimble mutant hardcore remains firmly intact on opener Limerent Death and the rampaging, jazz-sodden Low Feels Blvd, while their knack for jamming strange but irresistible melodies into an ultra-hostile din once again bears fruit on the dense menace of Honey Suckle.
Meanwhile, Fugue is four minutes of disfigured, glitch beats and Residents-like surrealism, and Wanting Not So Much To As To is a nightmarish art-metal joyride. Dillinger remain a proudly unique proposition, and Dissociation is a thrilling, and apparently final, fuck you to the status quo.
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Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.
