Ordinarily ten instrumental versions of some pretty well known songs might seem like old school indulgence but Peter Frampton’s richly toned interpretations hold the day.
There’s plenty of wit about the project: the cover features a vintage Phenix typewriter and a blank sheet of paper but his fingers do the talking elsewhere.
The best moments are possibly the more obscure ones – a delicious I Don’t Know Why (a Stevie Wonder B-side in 1968) and Michel Colombier’s Dreamland.
Herd immunity for troubling times. The Beckenham boy done good.