You can trust Louder
As someone almost said, you don’t have to be a Crimson fan to buy this, but it helps. But if you are new to KC and pick this up, you might be pleasantly surprised. The prickly, jazz-rock beast of old isn’t exactly tamed, but the modern septet are at their most accessible and dynamic – minimally free-form, no extended jams – on this official bootleg from one particularly high-quality night on the band’s 2015 Canadian tour.
The 18-track set-list – including new tracks Radical Action and Meltdown, natural continuations of 2003’s The Power To Believe album – show off a number of virtuosos perfectly. Standouts are many, but Mel Collins’s flighty winds are a treat – especially the tickle of La Marseillaise on Larks’ Tongues and his wonderfully malevolent honking on Level Five – with drummers Pat Mastelotto, Bill Reiflin and musical director Gavin Harrison swinging like pendulums on the sleazy Pictures Of A City and percussive cavalcade Hell Hounds Of Krim.
Tony Levin A-frames the whole thing in his typically cool, earthy fashion as Crimson King Robert Fripp and Jakko Jakszyck’s guitar parts (and Jakszyck’s expressive vocal) on Starless result in three minutes of solid applause. And there’s still In The Court Of The Crimson King and an adrenalised, big-band-style 21st Century Schizoid Man to go. What a set.
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Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.