Enthroned: Sovereigns

Belgium’s blackest warriors raise their game

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Where once black metal revelled in its resistance to other, ostensibly incompatible ideas, today it thrives amid a dense network of blurred lines. As a result, there is something deeply satisfying and reassuring about an album like Sovereigns, wherein imagination and bravery are used to enhance the power of black metal’s essence, rather than to reconstruct it in new forms.

Perennially unsung, Enthroned sound determined to shrug off their second-tier status here. The dizzying collision between imperious march and feral blasting that underpins Of Feathers And Flames is executed with utmost precision and vigour, as insidious hooks burst through a wall of six-string hostility and a perfect balance between raw aggression and pristine grandeur is struck. Lamp Of Invisible Lights is even better, its pounding, ominous six minutes recalling the equally underrated Khold.

Elsewhere, The Edge Of Agony’s blur of hyperspeed rage and funereal plod offers a wild adrenaline rush, while the closing Nerxiarxin Mahathallah whizzes by like a runaway train manned by demons. Like black metal? You’ll love this.

Dom Lawson

Dom Lawson has been writing for Metal Hammer and Prog for over 14 years and is extremely fond of heavy metal, progressive rock, coffee and snooker. He also contributes to The Guardian, Classic Rock, Bravewords and Blabbermouth and has previously written for Kerrang! magazine in the mid-2000s.