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Bill Bruford's stellar career celebrated on dizzying Making A Song & Dance box

A 40 year journey through prog, jazz and improv starring former Yes, King Crimson and Genesis drummer Bill Bruford

Bill Bruford: Making A Song & Dance cover art
(Image: © BMG)

Having played with Yes, King Crimson and Genesis, Bill Bruford can truly claim to be the godfather of prog drummers. But, as this six-CD retrospective shows, that was just a small part of a 40-year career that includes his own bands as well as a dizzying array of collaborations with proggers, jazzers… and Roy Harper

A box set from a drummer might sound like a daunting prospect, but rest assured there are no drum solos (Bruford didn’t do them), although obviously there’s a lot of drumming – but always with other musicians. It’s also a surprisingly varied collection, which is down to Bruford’s restless but erudite style that changed according to the setting he was in.

His prog credentials are explored on the first two CDs, although the band he co-founded, Yes, gets just three tracks, but Heart Of The Sunrise tells you most of what you need to know about his contribution to that band. 

You get a better idea of his scope on his three stints with King Crimson as he varies his style – and his kit – to match Robert Fripp’s more intellectual approach as well as his aversion to cymbals. The best of the 15 Crimson tracks is a magnificent live version of Indiscipline

There’s nothing from his brief spell with Genesis in 1976, immediately post-Gabriel, as he only toured with them. But he does squeeze in a 1978 track from UK, a prog outfit that also included John Wetton, Allan Holdsworth and Eddie Jobson.

Things turn jazzy on CD3 as Bruford’s solo career gets under way, with half a dozen tracks from his late-70s albums, highlighted by the sparkling, Weather Report-styled Joe Frazier, before getting stuck into his Earthworks band which spreads over on to CD4 and features Triplicity, arguably the track that best shows off Bruford’s technique, although a live version of Nerve comes close. 

Roy Harper leads off CD5, titled ‘Special Guest’, with a couple of tracks from his HQ album, followed by other album sessions with Chris Squire, Steve Howe, Al DiMeola, David Torn and Kazumi Watanabe. 

The final disc, ‘The Improviser’, has more off-the-wall collaborations with Patrick Moraz, David Torn and Dutch pianist Michiel Borstlap, plus King Crimson’s No Warning, which is as close to a drum solo as you’ll get.

Hugh Fielder has been writing about music for 47 years. Actually 58 if you include the essay he wrote about the Rolling Stones in exchange for taking time off school to see them at the Ipswich Gaumont in 1964. He was news editor of Sounds magazine from 1975 to 1992 and editor of Tower Records Top magazine from 1992 to 2001. Since then he has been freelance. He has interviewed the great, the good and the not so good and written books about some of them. His favourite possession is a piece of columnar basalt he brought back from Iceland.