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Max Cavalera staged a real-life Cavalera Conspiracy to steal his first microphone

Max Cavalera
(Image credit: Per Ole Hagen/Redferns)

Max Cavalera staged a real-life Cavalara Conspiracy to steal his first-ever microphone.

As a new band in the 80s, his former outfit Sepultura were too poor to afford the equipment they needed, so the vocalist hatched a scheme with his bandmates.

Cavalera told Hardcore Humanism: “We made a whole plan to go see a pop band at a free show in the city, and we went, ‘This is the plan – when it’s dark on the stage, one of you motherfuckers launches me on the stage. I’ll jump and grab the mic, put it in my pants and jump back in the crowd.’

“And it fucking worked, man! I fucking jumped in, I grabbed the mic, stuffed it in my pants, jumped back and we were gone.”

His reaction was: “Alright, we got a mic!” He added: “You know, thank you, pop band! We got our first microphone, man. We actually had to do shit like that to survive.”

Cavalera also recalled how he’d discovered heavy music while he was dealing with the death of his father. “Before that I was just like a total normal kid that liked soccer a lot,” he said. “I liked going to the beach on the weekend. I like girls, you know?

“When my dad died, we became broke. I had to start working like factory jobs. That's when music came in like a fucking weapon. ‘Here, use the Sabbath album – this is your fucking weapon! Use this Discharge album! Use this Cro-Mags album!' You know? And when we started playing, now it’s a real fucking weapon!"

Cavalera and his brother Igor are currently touring under the Cavalera banner.

Freelance Online News Contributor

Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band (opens in new tab), a band he once managed, and the best-selling Apollo Memories (opens in new tab) about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving intro all things music, can be found travelling along the UK’s vast canal network.