Robert Plant loves them. So does Joe Bonamassa: Meet Ferris & Sylvester, the award-winning folk-blues rock'n'rollers with a psychedelic soul
Think: Johnny Cash and June Carter, with balls
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Considering they have a young, excitable son, Lucky, married duo Issy Ferris and Archie Sylvester are bright-eyed for our morning chat, brimming with cheer when asked about their success at the UK Americana Awards, where they were nominated in three categories, and won Best Album for their 2022 debut Superhuman.
They’re also excited about their new album Otherness. Comprising 14 tracks of what Ferris terms “folk-blues rock’n’roll”, it’s the result of “years of writing what’s best for the song, and also what holds an audience’s attention when they might be chatting”.
The pair met in 2016 through playing at respective live music nights at the (sadly now defunct) Spiritual Bar in north London. London-based Sylvester was rocking out at the blues night, while Midlands-born Ferris played the midweek folk spot. Pairing up romantically and musically has led to a stunning line in Led Zep-ish guitar whoopee tempered by elements of Joni Mitchell and Laura Marling.
They caught the ear of Robert Plant, who they played with in 2018. Among other supporters including ‘Whispering’ Bob Harris and Joe Bonamassa, a more left-field champion from early on has been Martin Glover, aka Youth, Killing Joke bassist turned producer and label owner/publisher.
“I was invited to play some songs to him,” says Sylvester. “I was very nervous, and he told me they were terrible [laughs]. But he sent me away with constructive criticism."
“Then Issy and I met and started to write together,” Sylvester continues. “I told Youth: ‘It’s like Johnny Cash and June Carter, with balls.’ When he heard what we’d done, he loved it. He signed us and recorded our first EP, The Yellow Line.”
The duo now have their own label, Archtop, and have relocated from London to live in Wiltshire, where Otherness was rehearsed (at Peter Gabriel’s Real World studios) and recorded (at home).
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“When we started writing, we realised that the songs were about being outsiders, being ‘othered’,” Ferris says. “But the title track is a love song – having ‘otherness’ with another human.”
As new parents, the track Mother is significant. Lucky was born two months prematurely while the couple were on a US tour, and Ferris says the experience was “scary and life-changing”. The track is a sublime slice of psychedelic soul with sweeping string touches.
“It’s about a child dreaming of a better life; looking through other families’ windows, watching other kids in safe, happy homes,” Ferris says of Mother. “We realised this was also about us, after the last eighteen months. We’d been treading a difficult path and we needed to belong again. Back at home with Lucky we’re getting there."
Otherness is out on now via Archtop Records
Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.

