Saint Agnes go for the jugular on Vampire
Vampire is horror-flick mini-album fantasia from London’s dark dockland hopes Saint Agnes
Classic Rock Reviews
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The New Wave Of Classic Rock comes of age on the Dust Coda's Mojo Skyline
Mojo Skyline finds the Dust Coda channelling Led Zeppelin, Bad Company and Humble Pie
Rose Tattoo: Rock 'N' Roll Outlaw - Album Of The Week Club review
Rose Tattoo's debut album is the sound of bogan bars in dusty Australian suburbs; places where only the toughest of cookies make it out unscratched
Saxon add fun to "these dark times" with lively covers collection Inspirations
NWOBHM veterans Saxon play us some favourite tunes on Inspirations
Things are never what they seem on Bob Dylan's 1970
1970 features previously unreleased tracks that suggesting one of Bob Dylan’s less celebrated years deserves reappraisal
Black Honey's Written & Directed: sugar-coated badass swagger with a problem
Sassy Brighton pop-punks Black Honey make a familiar but fun racket on second album Written & Directed
Devin Townsend's Live In Leeds is self-assured and surprising
It's the calm before the storm as Devin Townsend whips out his acoustic for Devolution Series #1 Acoustically Inclined, Live In Leeds
Now And Then by Paul Stanley's Soul Station is an authentic labour of love
Paul Stanley's Soul Station's Now And Then showcases the soul side of the Star Child
Ego Kill Talent prove themselves arena-ready with The Dance Between Extremes
Ego Kill Talent's The Dance Between Extremes is earworm pop-metal from Sao Paulo, Brazil
Chris Cornell a melancholy, bittersweet listening experience on No One Sings Like You Anymore
Chris Cornell's No One Sings Like You Anymore is a collection of covers from the late, great singer
The J. Geils Band: Live Full House - Album Of The Week Club review
The J. Geils Band's Live Full House is a vivid celebration of live rock'n'roll, but is there more to Peter Wolf & Co. than the world's best keg party soundtrack?
Blackmore's Night continue to conjure up the Renaissance
Blackmore's Night deliver more 16th-century musings on Nature's Light, album number 11
Gang Of Four's 77-81 is the sound of deadening alienation you can dance to
Gang Of Four's 77-81 compiles the groundbreaking band's post-punk glory years
Saga intrigue as Symmetry thoughtfully reinterprets their own work
Symmetry finds Canadian prog maestros Saga go acoustic on their own back catalogue
Thunder's All The Right Noises: enraged, engaged and thoroughly energised
Thunder's thirteenth album All The Right Noises is an effortless masterclass in rock’n’roll light and shade
Trapeze: You Are The Music... We’re Just The Band - Album Of The Week Club review
After the blues rock of Medusa, Trapeze shifted in a funkier, more soulful direction for You Are The Music... We’re Just The Band, supplying Glenn Hughes with the style that would define his career
Kings Of Leon's When You See Yourself is a record of life-worn wisdom, hard times and hope
A time capsule from the pre-pandemic age, Kings Of Leon’s eighth album When You See Yourself remains remarkably relevant
Ken Hensley struggles to soar on posthumous album My Book Of Answers
My Book Of Answers finds former Uriah Heep keyboard player Ken Hensley signing off with well-meaning curiosity
Art-rock fops Japan predict the future on deluxe version of third album Quiet Life
Japan's post-glam synth-rock classic Quiet Life, now remastered and expanded into three-disc set
