Ego Kill Talent prove themselves arena-ready with The Dance Between Extremes
Ego Kill Talent's The Dance Between Extremes is earworm pop-metal from Sao Paulo, Brazil
Classic Rock Reviews
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Chris Cornell a melancholy, bittersweet listening experience on No One Sings Like You Anymore
Chris Cornell's No One Sings Like You Anymore is a collection of covers from the late, great singer
The J. Geils Band: Live Full House - Album Of The Week Club review
The J. Geils Band's Live Full House is a vivid celebration of live rock'n'roll, but is there more to Peter Wolf & Co. than the world's best keg party soundtrack?
Blackmore's Night continue to conjure up the Renaissance
Blackmore's Night deliver more 16th-century musings on Nature's Light, album number 11
Gang Of Four's 77-81 is the sound of deadening alienation you can dance to
Gang Of Four's 77-81 compiles the groundbreaking band's post-punk glory years
Saga intrigue as Symmetry thoughtfully reinterprets their own work
Symmetry finds Canadian prog maestros Saga go acoustic on their own back catalogue
Thunder's All The Right Noises: enraged, engaged and thoroughly energised
Thunder's thirteenth album All The Right Noises is an effortless masterclass in rock’n’roll light and shade
Trapeze: You Are The Music... We’re Just The Band - Album Of The Week Club review
After the blues rock of Medusa, Trapeze shifted in a funkier, more soulful direction for You Are The Music... We’re Just The Band, supplying Glenn Hughes with the style that would define his career
Kings Of Leon's When You See Yourself is a record of life-worn wisdom, hard times and hope
A time capsule from the pre-pandemic age, Kings Of Leon’s eighth album When You See Yourself remains remarkably relevant
Ken Hensley struggles to soar on posthumous album My Book Of Answers
My Book Of Answers finds former Uriah Heep keyboard player Ken Hensley signing off with well-meaning curiosity
Art-rock fops Japan predict the future on deluxe version of third album Quiet Life
Japan's post-glam synth-rock classic Quiet Life, now remastered and expanded into three-disc set
Debut Mason Hill album Against the Wall is well constructed, melodic and powerful
Against The Wall is an energetic, classy debut from young hard rockers Mason Hill
Lynyrd Skynyrd's second life compiled on Nothing Comes Easy: 1991-2012
Southern-rock masters Lynyrd Skynyrd not quite in their prime on Nothing Comes Easy: 1991-2012
Blue Oyster Cult: Secret Treaties - Album Of The Week Club review
Secret Treaties was the third album by Blue Oyster Cult, and the one where they really figured out what it was they did: darkness, perversion, and sonic eccentricity
Be-Bop Deluxe's Drastic Plastic expanded but still elegant
Drastic Plastic was Be-Bop Deluxe's swansong album before Bill Nelson moved on, and its consistency masked an inner turmoil
The Black Crowes celebrate 30 years of Shake Your Money Maker in deluxe style
The Black Crowes' classic debut album Shake Your Money Maker, boxed, now with previously unreleased material
Steve Lukather plays it safe on I Found The Sun Again
On Steve Lukather's I Found The Sun Again the 60s and 70s influence a surprisingly safe record, despite the dynamic personnel involved
Alice Cooper's Detroit Stories is his most concise bolt of precision-tooled heavy rock in 50 years
Fifty years since Love It To Death, Alice Cooper revisits his birth city and forges a late-life classic with Detroit Stories
Lee Kerslake's Eleventeen is a poignant, welcome reminder of his skills
Eleventeen by Lee Kerslake is a fitting farewell from the former Ozzy and Uriah Heep drummer
