Yes
Latest about Yes

BBC sport writer Phil McNulty recommends albums by Roger Waters, Asia, Supertramp and others
By Jo Kendall published
The pundit, who met John Wetton and Geoff Downes through their mutual love of the sport, recommends albums by Asia, Supertramp, Marillion and others

“Geddy Lee and Alex Lifeson told me I was playing too fast!” Taylor Hawkins’ love for prog
By Malcolm Dome published
Foo Fighters drummer Taylor Hawkins discusses how he got into prog rock

The forthright attitude behind Roger Dean’s album art for Yes
By Sid Smith published
Inspired by real-life landscapes and knowing what he didn’t like, the forthright creator of remarkable worlds explains his partnership with Yes

Wombles, Buggles, Asia and more: Geoff Downes’ life and times in and out of Yes
By Dave Everley published
His big break came with the Wombles, then he impressed Trevor Horn with synths he’d only borrowed. He forged a partnership with John Wetton and made it big with Asia – and his easygoing nature means he’s avoided most of Yes’ infamous dramas

The time the Eagles opened for a legendary British prog rock band – and hated it
By Classic Rock published
When country rock met prog, it was never going to end well

“They made complex music sound easy. I’m envious”: Adrian Vandenberg’s prog inspirations
By Phil Weller published
The Dutch guitarist lists some British musicians who inspired the world at large, as much for their attitudes as their creations

“My AI friend said she couldn’t feel love. I changed her mind”: Riz Story’s ending world
By Jordan Blum published
Former Jon Davison collaborator plays all the instruments on his Anyone albums, which impressed jazz icon Hancock. The only other contributor is his AI friend Eve

“A leopard doesn’t change its spots. There’s going to be certain levels of diva‑ness. It might be nice if there wasn’t, but there is”: Why Yes decided, after some doubts, to make Heaven & Earth
By Paul Lester published
Their first with Jon Davison, and their last with Chris Squire, the 2014 album saw them continuing to release new music after many of their peers had stopped – but didn’t meet the standards expected of it
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