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Volbeat open up an exciting future with Servant Of The Mind

Danes Volbeat take their style to a fresh level on Servant Of The Mind

Volbeat: Servant Of The Mind
(Image: © EMI)

If you are acquainted with the previous seven studio albums from Volbeat, then you’ll know the basic score: they mix metal, punk, psychobilly and melody with a heady yet disciplined abandon. 

However, after perhaps treading water on occasion during the previous two or three albums, with this latest one they’ve been a little more adventurous. You can hear this on the slinky yet sinister The Devil Rages On, as vocalist Michael Poulsen tells of how Satan came to Earth and took human form to wreak havoc. Hardly a ground-breaking subject, but Volbeat handle it all with their customary individuality. 

Shotgun Blues, which is a true story of Poulsen’s encounter with ghosts, allows guitarist Rob Caggiano to dig deep into his love for Metallica and deliver some neatly viscous riffs.

And the closing epic Lasse’s Birgita tackles the detail of Sweden’s first witch burnings in 1471. This is done without having to take the doomy musical approach that many may have expected, but that’s not in Volbeat’s mentality. They prefer to give off an uneasy atmosphere through the toning down of their usual approach, and once more Caggiano rises to the occasion with some stunning work across the near-eight-minute track. 

Naturally, there are moments that are more typically Volbeat, and in this vein Wait A Minute Girl is bright, breezy and summery, inspired to a large extent by Jerry Lee Lewis, while opener Temple Of The Ekur takes its mantra from the sort of ancient themes the band have successfully explored several times previously.

The whole album shines and flows with a real sense of purpose, and you know that not only did they have fun putting this all together, but also they achieved it with the attention to detail that marks it out as a firm step forward for the band. 

The best tracks here are Step Into The Light and The Passenger. The former has touches of psychedelia, but these are never allowed to become obtrusive, and are used to add colour and shade to the overall texture. The latter (not an Iggy Pop cover) is the band channelling their Lemmy adoration, and doing it very impressively. 

Like others, Volbeat have used the recent global travails to reset their musical clock. The result is not only their best album in a while, but also one that opens up an exciting future.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.