The Chocolate Watchband: Revolutions Reinvented

Timeless re-recordings, or garage meltdown?

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Re-formations are a tricky thing. It’s hard not to question the motivation, and the end result can find a precious entity becoming a Marshalled-up chugganaut with little authenticity or self-respect.

This is different. Cali garage giants The Chocolate Watchband’s ‘original line-up’ (questionable, as members from three incarnations are here) have re-recorded 13 tracks exactly the way they did in the 60s. Instruments, echo room, the works. It’s a good set, and fun to play spot the difference against the originals.

Some tracks retain attitude and raw power (Gone And Passes By, Sweet Young Thing), some reflect the pace of the 60-somethings remodelling them (Are You Gonna Be There, I Ain’t No Miracle Worker). It sure whets the appetite for any live shows, but the baffling bit is why they’ve done it at all.

Perhaps a comment on the stifling influence of their production svengali Ed Cobb – a way of saying: ‘we own these tracks now’?

Jo Kendall

Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.