Tanochrome - A Map In Fragments album review

Colourful pop prog debut, featuring the prolific Charlie Cawood

Tanochrome - A Map In Fragments album artwork

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

It’s always a joy when jaded ears are refreshed by sparkling music that’s largely uninterested in following trends or staying within expected boundaries. Formed in 2011, Tonochrome’s first album is an accomplished affair. Predominantly composed by vocalist Andres Razzini and keyboard player Steve Holmes, their deceptively simple but striking arrangements, occasionally reminiscent of Sanguine Hum, enable well-crafted songs to blossom in unexpected ways. A distinctive feature of A Map In Fragments comes from the inculcation of cyclical motifs looping through several songs, effectively forming a kind of DNA from which stunning moments evolve and grow. The addition of a string quartet, a classical brass section and chiming lead guitar from Knifeworld’s Charlie Cawood bring with them a subtle refinement. The layering of brass and strings, and their dynamic swells, aren’t unlike some of the moments found within American composer John Adams’ more introspective works. Bridging chamber pop, rock and beyond, the map Tonochrome refer to may well be in fragments, but the treasure is there for all to hear.

Sid Smith

Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.