Skip to main content

Slash featuring Myles Kennedy & The Conspirators - Living The Dream album review

The dream takes flight for Slash and Myles Kennedy

Living The Dream
Slash featuring Myles Kennedy & The Conspirators - Living The Dream

Slash - Living The Dream album cover

The Call of the Wild
Serve You Right
My Antidote
Mind Your Manners
Lost Inside the Girl
Read Between the Lines
Slow Grind
The One You Loved Is Gone
Driving Rain
Sugar Cane
The Great Pretender
Boulevard of Broken Hearts

Order for Amazon (opens in new tab)

Okay, let’s forget all about Guns N’ Roses. At least for now. While GN’R offers Slash a nice way to bolster his bank balance and play to huge audiences, on the creative front Slash Featuring Myles Kennedy &The Conspirators is where he belongs. 

Living The Dream is the band’s third, and best, album. It brings purpose and focus to the vision he and vocalist Myles Kennedy have for what they want to achieve. It has arena-rock attitude, but contained within songs and performances that are a lot more intimate and highly charged than you might expect. Slash’s punchy guitar style complements Kennedy’s passionate vocals, and in doing so brings to mind what Aerosmith achieved in the late 80s. 

It begins with Call Of The Wild, which starts off taking you down an expected path but soon shifts mentality to throw you off balance. The same is true of Serve You Right, as the band display a capacity for bringing out the depth and power of the song, thereby avoiding any of those dreaded clichés you might have feared. 

Lost Inside The Girl is clearly a song expressing inward confusion, but it does so with the clarity of artists who know what they’re saying to us. Read Between The Lines takes heads deep into a funk groove, and then once you’re hooked on the beat it gradually blossoms into a flying melody. 

The band’s ability to coast across the hard rock spectrum is shown clearly on the garage spit Slow Grind, in which Kennedy’s chest-beating mentality tells of someone who will not be taken for granted. And if your bag is something a little more sensitive, then The One You Love will fit the bill. 

But let’s not forget that this record, and this band, is actually about more than just Slash and Kennedy, and the Conspirators themselves add colour and shade where necessary, boosting the charismatic flow immeasurably. The Great Pretender (no, not a cover) is the album’s masterpiece, and is without doubt among the best things Slash has ever done. 

When the album ends with the nostalgic whiff of teenage anxiety on Boulevard Of Broken Dreams, you’re left with the impression that this record takes protagonists and listener through the twists and turns of life’s enticements and deviousness, all done with no rancour, just a combination of delight and regret. This is what makes Living The Dream so compulsive

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.